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If I Had to Tell It Again
From the aftermath of a death emerges this pioneering memoir of a daughter's difficult love for a flawed, passionate, larger-than-life father.If I Had to Tell It Again is a tapestry of conflicting memories of clinical depression, intense togetherness, mourning, healing, and the shattering of spaces between childhood and adulthood. Charting an emotional minefield with delicacy and honesty, this is a haunting story about the sort of suffering that only families can inflict and endure
Vetaal and Vikram
'This riddle can end in two ways: speech and defeat, or silence and death.' Vetaal and Vikram is a playful retelling of one of India's most celebrated cycles of stories. The narrative of King Vikram and the Vetaal is located within the Kathasaritsagara, an eleventh-century Sanskrit text. The Vetaal who is neither living nor dead is a consummate storyteller, and Vikram is a listener who can neither speak nor stay silent. Together they are destined to walk a labyrinth of stories in the course of a moonless night in a cremation ground. In 1870, eleven of the Vetaal's stories were adapted to English by the famed scholar-explorer Richard Francis Burton who tailored them to his audience's gothic taste. Vetaal and Vikram is a contemporary response that includes Burton within its storytelling folds. Fantastical and delightful, this retelling dissolves the lines between speaker and listener, desire and duty, life and death.
Shadow Craft
The years between Indian independence (1947) and the dominance of colour cinema (early 1960s) saw the emergence and fruition of a distinct, confident, and nuanced black and white aesthetic in Hindi mainstream cinema. Shadow Craft is an ardent and immersive study of cinematic craftings that emblematise the oeuvres of Kamal Amrohi, Raj Kapoor, Nutan, Bimal Roy, Guru Dutt, and Abrar Alvi. Films such as Aag (1948), Mahal (1949), Seema (1955), Pyaasa (1957), Sujata (1959), Kagaz Ke Phool (1959), Sahib Bibi Aur Ghulam (1962), Bandini (1963) remain formative to the visual psyche of generations of South Asian viewers. This enduring visual language demonstrates a minutely attuned and sympathetic camera, evocative pools of shadow, affect-rich atmospheric composition, and the visual autonomy of performance. With seventy five rare and curated images from the archives, Shadow Craft offers for the first time a consolidated and intimate journey through this pioneering black and white cinema aesthetic at its most expressive and climactic moment.
Gayatri Rahasya
None
Maya
Gayathri Prabhu, twenty-nine, is a full time writer. A post-graduate in Mass Communication from Jamia Milia Islamia University, New Delhi, and English Literature, Gayathri has worked as an assistant director on feature films and a producer of television programmes. She has been writing verse since her college days and in the last four years has been seriously working on fiction. Though her roots are in coastal Karnataka, she has lived and travelled across the country. Gayathri is married to a journalist and presently lives in New Delhi.
Birdswim, Fishfly
Aditi is living in a world where being individualistic is painful, secrets have to be protected at any cost and love constantly plays its unseen hand. She is prodded, pushed and beaten to fill a mould she simply does not fit. Her conviction that she is an artist, even if one with a dire lack of art, takes her to a remote sanatorium where she finds herself among others just as reluctant to conform. A cascade of events across time and an encounter with a reclusive master artist eventually brings her closer to accepting the truth about a family held together for years in an unbroken web of doubt, sorrow, violence and alienation. Memory and imagination unravel seamlessly in this story of a young woman's courage and ingenuity as she rediscovers her identity in a world where birds swim and fish fly.
Teardrops of Time
Focusing on one of the most significant poets of the twentieth century, Angkarn Kallayanapong (1926–2012), this book makes a unique contribution to understandings of non-Western literary modernity. Arnika Fuhrmann investigates how the Thai poet adapts Buddhist understandings of time to create a modern Asian aesthetic imaginary. While Angkarn's poetry conjures the image of an early modern Thai cosmopolitanism, it also pioneers a poetics reflective of present-day globalization. The result is an experiment in Buddhist cosmopolitan aesthetic modernity. Teardrops of Time contextualizes the poet's work in the literary history and cultural politics of his time, tracing the transformation of a modern Thai cultural and political imaginary through the political history of the country's authoritarian governance since the late 1950s and the exigencies of an increasingly globalized economy since the 1980s. As Angkarn's work aligns itself with contemporaneous global trends in poetry, the book reads it alongside the work of Paul Celan and Allen Ginsberg.
Blockchain, Big Data and Machine Learning
Present book covers new paradigms in Blockchain, Big Data and Machine Learning concepts including applications and case studies. It explains dead fusion in realizing the privacy and security of blockchain based data analytic environment. Recent research of security based on big data, blockchain and machine learning has been explained through actual work by practitioners and researchers, including their technical evaluation and comparison with existing technologies. The theoretical background and experimental case studies related to real-time environment are covered as well. Aimed at Senior undergraduate students, researchers and professionals in computer science and engineering and electrical engineering, this book: Converges Blockchain, Big Data and Machine learning in one volume. Connects Blockchain technologies with the data centric applications such Big data and E-Health. Easy to understand examples on how to create your own blockchain supported by case studies of blockchain in different industries. Covers big data analytics examples using R. Includes lllustrative examples in python for blockchain creation.
Writing the Self in Illness
Writing the Self in Illness: Reading the Experiential Through the Medical Memoir is MUP’s refreshing venture into the developing fields of Medical and Health Humanities with an aim to consider the necessity of the narrative knowledge as complementary to the contemporary notions of well-being, illness, and healthcare. Is individual happiness contingent on health and well-being? How does one find happiness in the throes of illness? In the present-day scenario, wherein medical practice is largely dominated by evidence-based understanding, diagnostic language, and problem-solving methods, the discipline of Medical Humanities emerges with a reciprocal dialogue between Humanities, Social Science...
The Routledge Encyclopedia of Indian Writing in English
Today, Indian writing in English is a fi eld of study that cannot be overlooked. Whereas at the turn of the 20th century, writers from India who chose to write in English were either unheeded or underrated, with time the literary world has been forced to recognize and accept their contribution to the corpus of world literatures in English. Showcasing the burgeoning field of Indian English writing, this encyclopedia documents the poets, novelists, essayists, and dramatists of Indian origin since the pre-independence era and their dedicated works. Written by internationally recognized scholars, this comprehensive reference book explores the history and development of Indian writers, their major contributions, and the critical reception accorded to them. The Routledge Encyclopedia of Indian Writing in English will be a valuable resource to students, teachers, and academics navigating the vast area of contemporary world literature.
