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Local/Global
Local/Global: Women Artists in the Nineteenth Century is the first book to investigate women artists working in disparate parts of the world. This major new book offers a dazzling array of compelling essays on art, architecture and design by leading writers: Joan Kerr on art in Australia by residents, migrants and visitors; Ka Bo Tsang on the imperial court in China; Gayatri Sinha on south Asian artists; Mary Roberts on harem portraiture of the Ottoman empire; Griselda Pollock on Parisian studios; Lynne Walker on women patron-builders in Britain; S?shy;ghle Bhreathnach-Lynch and Julie Anne Stevens on Irish women artists; Ruth Phillips on souvenir art by native and settler women; Janet Berlo ...
Indian Art, an Overview
Indian Art: An Overview is a seminal study on Indian art's entry through modernism into post-modernism. Through fifteen essays, leading tendencies in Indian art are traced from the period of the 1850s onwards. Leading critics and art historians analyze th
Understanding Different Geographies
This book collects revised versions of papers first delivered at the “Understanding Different Geographies Symposium” held in Puchberg am Schneeberg, Austria in 2011. The Symposium focussed on “Communicating Meaning with [Geo]Graphic Artefacts”. The general topics of the chapters cover: - Exploring geographic knowledge - Maps in exhibition spaces - Information and exhibition design with (geo)graphic artefacts - Extracting meaning from visualisations of different geographies - Deconstructing maps of information - and other spaces
A Companion to Feminist Art
Original essays offering fresh ideas and global perspectives on contemporary feminist art The term ‘feminist art’ is often misused when viewed as a codification within the discipline of Art History—a codification that includes restrictive definitions of geography, chronology, style, materials, influence, and other definitions inherent to Art Historical and museological classifications. Employing a different approach, A Companion to Feminist Art defines ‘art’ as a dynamic set of material and theoretical practices in the realm of culture, and ‘feminism’ as an equally dynamic set of activist and theoretical practices in the realm of politics. Feminist art, therefore, is not a simp...
Cultural Identity in Transition
Cultural Identity In Transition Analyses The Challenges That Globalisation And Modernisation Have Brought To Cultural Identity In Recent Years. This Collection Of Articles Highlights Some Of The Central Theoretical Ideas And Models Currently Used In The Analysis Of Cultural Identity In The Social And Cultural Sciences.While The Book S Main Regional Focus Is On Northern Europe, This Is Complemented By Several Case Studies Addressing Issues Of Cultural Identity In Indigenous And Ethnic Communities, In Literary And Artistic Expression, And In Terms Of National Politics Around The World.The Book Discusses In Detail The Questions Like : What Is At Stake In The Global Culture Industry In Terms Of Cultural Identity? How Do The Internet And Information Technology In General Empower Local Communities? What Kinds Of Political Struggles And Conflicts Can Be Associated With The Processes Of Cultural Identity? Cultural Identities Are In Transition, But In What Direction Are They Moving?Cultural Identity In Transition Will Be Essential Reading For University Students And Researchers In Sociology, Anthropology, And Cultural And Literary Studies.
Visualizing Secularism and Religion
An investigation of the role of religion in the formation of secular-national public spheres in the Middle East and South Asia
The Cambridge Companion to Modern Indian Culture
A wide-ranging and truly interdisciplinary guide to understanding the relationship between India's colonial past and globalized present.
ABIA: South and Southeast Asian Art and Archaeology Index
Volume Three contains 1643 records on South Asia selected from the ABIA South and Southeast Asian Art and Archaeology Index database at www.abia.net. Volume Three has been compiled by specialists of the ABIA Project stationed at Leiden, Colombo, New Delhi, Dhaka, Kathmandu and Peshawar. It features a selection of publications in print published between 2002 and 2007 on prehistory and protohistory, historical archaeology, art history (from ancient to contemporary), material culture, epigraphy and palaeography, numismatics and sigillography. Covered are South Asia and culturally related regions of Afghanistan, South Uzbekistan, South Tajikistan and Tibet. The bibliographic descriptions (with the original diacritics), controlled keywords and elucidating annotations make this reference work into a reliable guide to recent scholarly work in the fields of the ABIA Index.
Sudhir Patwardhan
Works of modern painter with special reference to the depiction of Bombay, India in them; covers the period, 1975-2004; includes introduction.
Routledge Handbook of Indian Cinemas
India is the largest film producing country in the world and its output has a global reach. After years of marginalisation by academics in the Western world, Indian cinemas have moved from the periphery to the centre of the world cinema in a comparatively short space of time. Bringing together contributions from leading scholars in the field, this Handbook looks at the complex reasons for this remarkable journey. Combining a historical and thematic approach, the Handbook discusses how Indian cinemas need to be understood in their historical unfolding as well as their complex relationships to social, economic, cultural, political, ideological, aesthetic, technical and institutional discourses. The thematic section provides an up-to-date critical narrative on diverse topics such as audience, censorship, film distribution, film industry, diaspora, sexuality, film music and nationalism. The Handbook provides a comprehensive and cutting edge survey of Indian cinemas, discussing Popular, Parallel/New Wave and Regional cinemas as well as the spectacular rise of Bollywood. It is an invaluable resource for students and academics of South Asian Studies, Film Studies and Cultural Studies.
