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The Race
Lili, a young athlete in present day, and Olympic hero Eric Liddell in 1944, prepare for the race of their lives in this inspiring dual narrative about sport and perseverance.
Fiction of the New Statesman, 1913-1939
Fiction of the New Statesman is the first study of the short stories published in the renowned British journal theNew Statesman. This book argues that New Statesman fiction advances a strong realist preoccupation with ordinary, everyday life, and shows how British domestic concerns have a strong hold on the working-class and lower-middle-class imaginative output of this period.
The Lighthouse Keeper’s Daughter
‘Compelling... I can’t recommend this one highly enough.’ Gill Paul, bestselling author of The Secret Wife‘Exquisite... a clear head and shoulders above the rest’ Sunday Independent
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Animal City
Nina journeys to a secret jungle city populated by animals, plants, and lost objects. The reason for her visit: story hour, where a book's power holds the wild in thrall. The animals are eager for stories about space, the sea, and other worlds. But their favorite story of all is the one told here: a story about a mysterious place, laden with legend and lore, and now overtaken by nature. Five Pantone colors infuse each illustrated spread with a vibrant, electric energy, making this powerful celebration of nature—and stories—as vivid visually as its narrative is engrossing.
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Where the Bugaboo Lives
An interactive, which-way adventure book brimming with creepy creatures and terrifying monsters.From the author of Hoot Owl, Master of Disguise, comes a wonderfully interactive, which-way adventure story which follows Floyd and his sister into the dark, shadowy valley behind their house ... a valley full of all kinds of creepy, freaky, weaselly creatures and the scariest of them all - THE BUGABOO! In this hilarious, ghoulish story, you can choose Floyd and Ruby's path (and which monster they meet next!) at the end of each page.
Charles Ricketts
This is the first major study of the life and times of Charles Ricketts (1866-1931), whose spririted career encompassed many aspects of late Victorian and Edwardian culture--including book and theatre design, painting, sculpture, and art criticism--and whose friends included Yeats, Thomas Moore, Housman, and Bottomley. Drawing on a wide range of material, much of it unpublished or newly discovered, Delaney reveals a man of strong opinions and artistic convictions, a fierce opponent of Postimpressionism and modernism who was noted for his wit, liveliness, generosity, and versatility. His story gives a fascinating look at the cultural and artistic life of England before and after the turn of the century.
