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Everything to Nothing
The First World War changed the map of Europe forever. Empires collapsed, new countries were born, revolutions shocked and inspired the world. This tumult, sometimes referred to as 'the literary war', saw an extraordinary outpouring of writing. The conflict opened up a vista of possibilities and tragedies for poetic exploration, and at the same time poetry was a tool for manipulating the sentiments of the combatant peoples. In Germany alone during the first few months there were over a million poems of propaganda published. We think of war poets as pacifistic protestors, but that view has been created retrospectively. The verse of the time, particularly in the early years of the conflict-in ...
The Reception of James Joyce in Europe
A major scholarly collection of international research on the reception of James Joyce in Europe
Journal of Dutch Literature 2011
The Journal of Dutch Literature (JDL) is the first English language, peer reviewed journal dedicated to the study of Dutch literature from the Middle Ages to the present day. With its methodological and frequently interdisciplinary approach, the journal places Dutch literature in an international context, treating literary phenomena against the broader perspective of international literary research. "http://www.aup.nl/do.php?a=process_visitor_download&editorial_id=3497">Preview: New issue Volume 2, number 2 In this issue of the JDL, Lotte Jensen shows the Dutch against Napoleon, the interesting relation between resistance literature in the Netherlands and the national identity between 1806-1...
The History of Futurism
Futurism began as an artistic and social movement in early twentieth-century Italy. Until now, much of the scholarship available in English has focused only on a single individual or art form. This volume seeks to present a more complete picture of the movement by exploring the history of the movement, the events leading up to the movement, and the lasting impact it has had as well as the individuals involved in it. The History of Futurism: The Precursors, Protagonists, and Legacies addresses the history and legacy of what is generally seen as the founding avante-garde movement of the twentieth century. Geert Buelens, Harald Hendrix, and Monica Jansen have brought together scholarship from an international team of specialists to explore the Futurism movement as a multidisciplinary movement mixing aesthetics, politics, and science with a particular focus on the literature of the movement.
Nights in Flanders. Joseph Alfred Bradney, Latin Poet of the Great War
It is a little-known fact that during the Great War of 1914-1918 a handful of people wrote war poetry in Latin. Not from the safety of their book-laden desks, but very much with their boots in the mud. The most prolific of these Latin war poets was Colonel Sir Joseph Alfred Bradney (1859-1923), who in 1919 even published a booklet Noctes Flandricae or Nights in Flanders with war poetry written in Belgium and France. This book tells the story of both his Latin poetry and his involvement in the Great War.
Transnational Modernity and the Italian Reinvention of Walt Whitman, 1870-1945
"This study gauges the effects that Walt Whitman's poetry had in Italy in the period from 1870 to 1945: the reactions it provoked, the aesthetic and political agendas it came to sponsor, and the creative responses it facilitated. But it also investigates the contexts and causes of Whitman's success abroad, in the lives, backgrounds, beliefs, and imaginations of the people who encountered it. Ultimately, it chronicles the evolution of a literature intent on regenerating itself and moving toward modernity. Bernardini gives particular attention to women writers and noncanonical writers often excluded from previous discussions of Whitman's Italian reception. The book is grounded in archival stud...
Democracy, Law and the Modernist Avant-Gardes
This is the first book to look at the ties between European modernism and democracy in a cross-cultural manner. Focusing on the continental avant-gardes of the nineteen-tens and twenties, Sascha Bru's original and provocative book fundamentally revises our understanding of modernism's cultural and political history. Bru brings together a wide range of European experimental writers and provides detailed analyses of Italian futurist F.T. Marinetti, German Dadaist Richard Huelsenbeck and Belgian expressionist Paul van Ostaijen. Bru locates these writers within their exceptional democratic context and demonstrates how the modernist avant-garde, during the First World War and the upheavals that f...
Literature, Language, and Multiculturalism in Scandinavia and the Low Countries
Literature, Language, and Multiculturalism in Scandinavia and the Low Countries presents a ground-breaking comparative approach to the study of multicultural literature. Focusing on the development of migration literature in Sweden, Denmark, Flanders, and the Netherlands, the volume argues that the political and institutional preconditions for the development of ‘multicultural’ literatures are still given within the frame of the nation-state. As a consequence, both the field of ‘migration literature’ and the (multi-)lingual quality of literary texts are shaped differently in each state and in each language area. The volume delineates the development of multicultural literature in Sca...
Modernism Today
This book manifests at least four recent shifts and tendencies within Modernist studies in general that point at the expansion of this increasingly interdisciplinary field. First, Modernist studies has seen a temporal expansion, to the extent that scholars in the field have come to turn to both the pre- and posterior history of Modernism. Second, the field has witnessed a spatial expansion, in that increasingly so researchers have also come to scrutinize the Modernisms of regions at the fringes of Europe, and beyond. Thirdly, a vertical expansion too has marked Modernist studies in recent decades, not only by further expanding the canon of women writers and exploring the continuum between high- and lowbrow, but also by looking at the artistic and mediatized hierarchies and cross-fertilizations operative in the period. A fourth conceptual expansion of the field shows that whereas concepts such as “middlebrow”, “arrière-garde”, and to some extent even “avant-garde”, were once exotic notions of at best marginal importance in European Modernist studies, they now form part and parcel of the field, complicating and expanding it conceptually.
The Gendered ‘I’ in Ancient Literature
Considering the ubiquity of rhetorical training in antiquity, the volume starts from the premise that every first-person statement in ancient literature is in some way rhetorically modelled and aesthetically shaped. Focusing on different types of Greek and Latin literature, poetry and prose, from the Archaic Age to Late Antiquity, the contributions analyse the use and modelling of gender-specific elements in different types of first-person speech, be it that the speaker is (represented as) the author of a work, be it that they feature as characters in the work, narrating their own story or that of others. In doing so, they do not only offer new insights into the rhetorical strategies and lit...
