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Packed with specific how-tos, examples and illustrations, The Editor in Chief vividly presents the guiding principles of editorial management. Authors Patterson and Patterson combine their extensive publishing and management expertise to update and enrich this best selling text, providing help and insight to future and present journalists working in the editorial department of a magazine. New to this edition is a chapter on one of the most popular and fastest growing areas of magazine publishing - online publishing. Readers will learn about e-zines, and online editions of printing magazines: * Launching * Funding * Organizing a staff * Increasing readership Aimed at students interested in careers as magazine editors and at novice working editors seeking to produce better magazines, The Editor in Chief, 2nd Edition prepares budding professionals for the arduous, but rewarding, task of magazine management
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Includes all the narrative poems that can confidently be assigned to Shakespeare.
Gedoodles is the first of Harry Gedulds two volumes of mainly comic verse. It also contains a revised Obituary, (written by himself), and a short story entitled The Keepsake.
Trained in Russia, Zeitlin (18841930) was an accomplished composer, conductor, performer, and pedagogue. In writing Palestina, Zeitlin, as he had done during his entire career, was fulfilling the goals of the Society for Jewish Folk Music, which he joined in 1908 while still a student at the St. Petersburg Conservatory: to compose and perform works of art music on motivic material drawn from Jewish cantillation, liturgy, and folk song. In addition to employing two modes central to Jewish music and several Jewish tunes, in Palestina Zeitlin actually imitates the shofar calls heard in the synagogue before and during Rosh Hashanah and at the conclusion of Yom Kippur. This edition includes an extensive essay on the composer and on the themes and structure of Palestina, with insights into the Capitol Theatre and the role of music in picture palaces of this era.
N49P Piano-vocal score (2008) xiv + 118 pp. $55.00 The first version of Felix Mendelssohn Bartholdy's secular cantata Die erste Walpurgisnacht (The First Walpurgis Night) was composed during the last years of the composer's decade-long friendship with the work's poet, Johann Wolfgang von Goethe. It was premiered less than a year after Goethe's death, but despite his enthusiasm for the work Mendelssohn was unable to return to it as a publication project for several years. He did finally revise and publish it in 1842-44, and in that guise it won considerable acclaim, but by then Mendelssohn's professional standing had changed significantly, and so had the work itself. This edition represents the first publication of the young and unestablished Mendelssohn's early setting af Goethe's provocative ballad concerning the eighth-century conflict between paganism and Christianity in Germany. The work is masterful in its own right, and the similarities and differences between it and the later version offer telling insights into Mendelssohn's compositional development. The piano-vocal score incorporates Mendelssohn's own manuscript of a four-hand arrangement of the orchestral introduction.
You won't be able to put this addictive No. 1 bestseller down . . . And don't miss Clare Mackintosh's twisty new thriller - A Game of Lies is out now. 'No one writes a twist like Clare Mackintosh' PAULA HAWKINS 'A belter of a novel' HEAT _____________________ The police say it was suicide. Anna says it was murder. Who do you believe? One year ago, Caroline Johnson chose to end her life brutally: a shocking suicide planned to match that of her husband just months before. Their daughter, Anna, has struggled to come to terms with their loss ever since. Now with a young baby of her own, Anna misses her mother more than ever and starts to ask questions about her parents' deaths. But by digging up the past, is she putting her future in danger? Sometimes it's safer to let things lie . . . _____________________ 'Another one-more-chapter, stay-up-late sensation' LEE CHILD 'Absolutely BRILLIANT. I LOVED it. I think this is Clare Mackintosh's best yet' MARIAN KEYES 'A triumph' LOUISE CANDLISH 'A work of genius' JOANNA CANNON 'A rollercoaster ride with a shocker of a final sentence' GOOD HOUSEKEEPING 'Clare Mackintosh does it again. A brilliantly twisting tale' ERIN KELLY
Traditional critical editing, defined by the paper and print limitations of the book, is now considered by many to be inadequate for the expression and interpretation of complex works of literature. At the same time, digital developments are permitting us to extend the range of text objects we can reproduce and investigate critically - not just books, but newspapers, draft manuscripts and inscriptions on stone. Some exponents of the benefits of new information technologies argue that in future all editions should be produced in digital or online form. By contrast, others point to the fact that print, after more than five hundred years of development, continues to set the agenda for how we think about text, even in its non-print forms. This important book brings together leading textual critics, scholarly editors, technical specialists and publishers to discuss whether and how existing paradigms for developing and using critical editions are changing to reflect the increased commitment to and assumed significance of digital tools and methodologies.