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Zhanna the Battalion Soldier
Based on actual historical events, Zhanna the Battalion Soldier is an intense, emotionally charged novel set against the turmoil of World War I and the revolution in the Russian empire. Zhanna, a beautiful and captivating young woman, romanticises war, seeing herself as a modern Joan of Arc, destined to defend her homeland. But what is homeland, and who decides its fate? As she fights alongside women of all walks of life—prostitutes, war widows, and more—Zhanna is forced to confront the harsh realities of the front life, far from the heroic ideals she once imagined. By her side is her loyal, or not so much, cat, whom she takes to the front, a silent companion amidst the chaos. Though man...
Theories of the Avant-garde Theatre
In this collection of essays by avant-garde theatre's most creative practitioners--directors, playwrights, performers, and designers--these writings provide direct access to the thinking behind much of the most stimulating playwriting and performance of the late nineteenth and twentieth centuries.
Cosmopolitan Spaces in Odesa
Cosmopolitan Spaces in Odesa: A Case Study of an Urban Context is the first book to explore Odesa’s cosmopolitan spaces in an urban context from the nineteenth to twenty-first centuries. Leading scholars shed new light on encounters between Jewish, Ukrainian, and Russian cultures. They debate different understandings of cosmopolitanism as they are reflected in Odesa’s rich multilingual culture, ranging from intellectual history and education to music, opera, and literature. The issues of language and interethnic tensions, imperialist repression, and language choice are still with us today. Moreover, the book affords a historical view of what lay behind the Odesa myth, as well as insights into the Jewish and Ukrainian cultural revivals of the early twentieth century.
Crisis
Notions of crisis have long charged the study of the European avant-garde and modernism, reflecting the often turbulent nature of their development. Throughout their history, the avant-garde and modernists have both confronted and instigated crises, be they economic or political, aesthetic or philosophical, collective or individual, local or global, short or perennial. The seventh volume in the series European Avant-Garde and Modernism Studies addresses the myriad ways in which the avant-garde and modernism have responded and related to crisis from the late nineteenth to the twenty-first century. How have Europe’s avant-garde and modernist movements given aesthetic shape to their crisis-la...
Literary Politics in the Soviet Ukraine, 1917-1934
Literary Politics in the Soviet Ukraine, 1917-1934 illuminates the flowering of Ukrainian literature in the 1920s and the subsequent purge of Soviet Ukrainian writers during the following Stalinist decade. Upon its original publication in 1956, George S. N. Luckyj's book won the praise of American and English critics, but was violently attacked by Soviet critics who labeled it a "slander on the Soviet Union." In the current political environment of glasnost, the book's findings have been acknowledged and supported by Soviet scholars. Moreover, this new critical corroboration has enabled the author to discover that the 1930s purge was more brutal than was previously estimated. The new edition...
Ukraine and Europe
Ukraine and Europe challenges the popular perception of Ukraine as a country torn between Europe and the east. Twenty-two scholars from Europe, North America, and Australia explore the complexities of Ukraine's relationship with Europe and its role the continent's historical and cultural development. Encompassing literary studies, history, linguistics, and art history, the essays in this volume illuminate the interethnic, interlingual, intercultural, and international relationships that Ukraine has participated in. The volume is divided chronologically into three parts: the early modern era, the 19th and 20th century, and the Soviet/post-Soviet period. Ukraine in Europe offers new and innovative interpretations of historical and cultural moments while establishing a historical perspective for the pro-European sentiments that have arisen in Ukraine following the Euromaidan protests.
The Art of Ukraine
Ukraine is at a historic crossroads, with the nations complex cultural identity at stake. Curator Alisa Lozhkina provides an authoritative overview of the countrys art, artists and movements from the dawn of Modernism to the Soviet period, to post-Soviet times and Russias invasion of Ukraine in 2022. She discusses Ukrainian art and artists within historical and political contexts as well as showing how they have contributed to, and interacted with, Ukrainian culture and identity as the nation transformed from provincial status on the periphery of the Russian Empire, to a constituent republic of the Soviet Union, through to independence and the challenges of its most recent history. Arranged broadly chronologically and fully illustrated throughout, The Art of Ukraine offers a powerful opportunity to explore the rich and complex Ukrainian artistic tradition.
“Quiet Spiders of the Hidden Soul”
This bilingual Ukrainian-English collection brings together the most interesting experimental works by Mykola (Nik) Bazhan, one of the major Ukrainian poets of the twentieth century. As he moved from futurism to neoclassicism, symbolism to socialist realism, Bazhan consistently displayed a creative approach to theme, versification, and vocabulary. Many poems from his three remarkable early collections (1926, 1927, and 1929) remain unknown to readers, both in Ukraine and the West. Because Bazhan was later forced into the straitjacket of officially sanctioned socialist realism, his early poetry has been neglected. This collection makes these outstanding works available for the first time.
The Men with the Movie Camera
Unlike previous studies of the Soviet avant-garde during the silent era, which have regarded the works of the period as manifestations of directorial vision, this study emphasizes the collaborative principle at the heart of avant-garde filmmaking units and draws attention to the crucial role of camera operators in creating the visual style of the films, especially on the poetics of composition and lighting. In the Soviet Union of the 1920s and early 1930s, owing to the fetishization of the camera as an embodiment of modern technology, the cameraman was an iconic figure whose creative contribution was encouraged and respected. Drawing upon the film literature of the period, Philip Cavendish describes the culture of the camera operator, charts developments in the art of camera operation, and studies the mechanics of key director-cameraman partnerships. He offers detailed analysis of Soviet avant-garde films and draws comparisons between the visual aesthetics of these works and the modernist experiments taking place in the other spheres of the visual arts.
Modernism in Kyiv
The study of modernism has been largely focused on Western cultural centres such as Paris, Vienna, London, and New York. Extravagantly illustrated with over 300 photos and reproductions, Modernism in Kyiv demonstrates that the Ukrainian capital was a major centre of performing and visual arts as well as literary and cultural activity. While arguing that Kyiv's modernist impulse is most prominently displayed in the experimental work of Les Kurbas, one of the masters of the early Soviet stage, the contributors also examine the history of the city and the artistic production of diverse groups including Ukrainians, Russians, Jews, and Poles. Until now a silent presence in Western accounts of the cultural topography of modernism, multicultural Kyiv is here restored to its historical, intellectual, and artistic complexity. Excerpts taken from the works of artists, writers, and critics as well as the numerous illustrations help give life to the exciting creativity of this period. The first book-length examination of this subject, Modernism in Kyiv is a breakthrough accomplishment that will become a standard volume in the field.
