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The work of the artists belonging to the Camden Town School and Euston Road Group is well recorded but until now, no work of substance on the many hundreds of teachers and students who flocked to Camberwell during the post-war years has been published. With the publication of Camberwell School of Arts & Crafts Geoff Hassell has produced a valuable record of a unique period in British art. Victor Pasmore, William Coldstream and John Minton were among the charismatic teachers who attracted so many talented students, including mature ex-servicemen, to study at Camberwell. Many of the painters to emerge from this fertile period have since become household names, such as Terry Frost, Anthony Eyto...
This book explores the image and identity of émigré painters, sculptors and graphic artists from Nazi Germany in Britain between 1933 and 1945. It focuses on a neglected field of Exile Studies, that of exiled artists in Britain. Methodologies used in this study have been developed by Exile Studies and History of Art, but also by Postcolonialism, scholars of which usually apply their ideas to the Afro-Asian emigration of the second part of the twentieth century. Thus this study represents methodologically a new way of looking at the emigration from Nazi Germany. Identity and Image is divided into five chapters: After an introductory Chapter One (historiography of the topic, methodology of t...
With respect to public issues, history matters. With the worldwide interest for historical issues related with gender, religion, race, nation, and identity, public history is becoming the strongest branch of academic history. This volume brings together the contributions from historians of education about their engagement with public history, ranging from musealisation and alternative ways of exhibiting to new ways of storytelling.
Daddy Who? is the story of a phenomenon, a band that in eighteen short months changed the course of Australian rock history. Author and musician Craig Horne was with Daddy Cool every inch of the way. With an insider's view, he tracks the journey from when they burst onto the scene in October 1970, with their infectious doo-wop mayhem, and follows their rapid rise to the top—when they were on the front cover of every newspaper and rock magazine in the country, and when radio churned out hits like 'Eagle Rock', 'Come Back Again' and 'Hi Honey Ho!' virtually nonstop. The book reveals the madness of Daddy Cool's three US tours, from their showcase performance at LA's Whisky A Go Go, to New York's famed Madison Square Garden, and supporting the likes of Elvin Bishop, Fleetwood Mac, Deep Purple, Little Feat and Captain Beefheart. "Daddy Who? is the first book to tell the complete story of the enduring legacy of one of the most unique and much loved bands Australia has ever produced. Daddy Cool are one of the most impressive bands I've ever heard ... And 'Eagle Rock' is one of my favourite tracks of all time." — Sir Elton John, 1975
British cartoonists and caricaturists are renowned worldwide. Originally published in 2000, this indispensable handbook offers a unique ‘who’s who’ of all the major artists working in Britain in the twentieth century and contains nearly 500 entries. Extensively illustrated, the book provides information on the work of artists such as Steve Bell, Gerald Scarfe, Posy Simmonds, Ronald Searle, Trog, mac and Larry as well as such past masters as David Low, Vicky, H. M. Bateman, Illingworth, Heath Robinson and more. The dictionary concentrates primarily on political cartoonists, caricaturists and joke or ‘gag’ cartoonists, actively working for the main Fleet Street national dailies and w...
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Over the last twenty years there have been flurries of interest in the artist's model, and recent exhibitions have stimulated new activity in this area. Model and Supermodel extends the discussion about the social and cultural significance of the model in British art and culture. A fascinating collection of essays and interviews, it examines the persistent mythology of the artist's model and some of the ambiguities involved in depicting the body. The book offers a series of lively takes on the phenomenon of the artist's model. It will make fascinating reading for those interested in modern art and the wider aspects of British culture and society.
The August Offensive or ‘Anzac Breakout’ at Gallipoli was an attempt to break the stalemate of the campaign. It saw some of the bloodiest fighting since the landing as Commonwealth and Turkish troops fought desperate battles at Lone Pine, German Officers’ Trench, Turkish Quinn’s, The Chessboard, The Nek, The Farm, Hill Q, Chunuk Bair, and Hill 971. The offensive was designed to allow the allied forces to ‘break out’ of the Anzac beachhead below the Sari Bair Range. The capture of Chunuk Bair by the New Zealanders resulted in some of the bloodiest fighting at Gallipoli and was key to the entire August offensive. While it was taken and held for a few days - it’s recapture by the Turks on 10 August 1915 decided the fate of the Gallipoli Campaign. Within four months the Allies were forced to evacuate the peninsula, leaving it to the Turks - a decisive victory for the Ottoman Empire Death on Bloody Ridge: Chunuk Bair - the battle that decided the fate of the Gallipoli Campaign, focuses solely on this one decisive battle.
Landscape Architecture and Digital Technologies explores how digital technologies are reshaping design and making in landscape architecture. While the potentials of digital technologies are well documented within landscape planning and visualisation, their application within design practice is far less understood. This book highlights the role of the digital model in encouraging a new design logic that moves from the privileging of the visual to a focus on processes of formation, bridging the interface of the conceptual and material, the virtual and the physical. Drawing on interviews and projects from a range of international designers -including , Snøhetta, Arup, Gustafson Porter, ASPECT ...
Whitechapel at War: Isaac Rosenberg and his Circle is the first book for almost 20 years to focus on the visual work of poet-painter Isaac Rosenberg. It is also the first to explore his art in the context of his Whitechapel peers, including painters David Bomberg, Mark Gertler, Jacob Kramer, Bernard Meninsky and Clare Winsten, and the writers John Rodker, Joseph Leftwich and Stephen Winsten.