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Film Comedy
Comedy is one of the most popular forms in film. But what exactly is film comedy and what might be the basis of its widespread appeal? This book takes a multi-perspective approach to answering these questions.
Echoes of the Ancestors
In this thrilling adventure set in recent times, two brothers at opposite ends of Britain find themselves drawn into a mystery of dreams, telepathy, ancient power and loss. When Charlie is approached to undertake a carving commissioned by anonymous but wealthy clients his life takes an unwelcome turn. His brother Adam's lengthy escape into his stoner lifestyle also gradually unravels as elements of his past come back to haunt him. Their lives become linked by strange forces, sinister foes, an alternative version of ancient history and the discovery that humanity is on the verge of a psychic rebirth. As they struggle to adapt to rapidly changing circumstances they find themselves and their companions embroiled in kidnap, murder, extrasensory powers and a flight for their lives.
American Independent Cinema
The independent sector has produced many of the most distinctive films to have appeared in the US in recent decades. From 'Sex, Lies and Videotape' in the 1980s to 'The Blair Witch Project' and New Queer Cinema in the 1990s and the ultra-low budget digital video features of the 2000s, indie films have thrived, creating a body of work that stands out from the dominant Hollywood mainstream. But what exactly is 'independent' cinema? This, the first book to examine the question in detail, argues that independence can be defined partly in industry terms but also according to formal and aesthetic strategies and by distinctive attitudes towards social and political issues, suggesting that independence is a dynamic rather than a fixed quality. Chapters focus on distribution and relationships with Hollywood studios; narrative ('Clerks' and 'Slacker' to 'Pulp Fiction', 'Magnolia' and 'Memento') and other formal dimensions (from 'Blair Witch's' 'authenticity' to expressive and stylized camerawork and editing in work from Harmony Korine to the Coen brothers); approaches to genre and alternative socio-political visions.
Screenplay
Hollywood film franchises are routinely translated into games and some game-titles make the move onto the big screen. This collection investigates the interface between cinema and games console or PC.
The King's Last Song, Or, Kraing Meas
"[Ryman] has not so much created as revealed a world in which the promise of redemption takes seed even in horror."--The Boston Globe "Sweeping and beautiful. . . . The complex story tears the veil from a hidden world."--The Sunday Times "Inordinately readable . . . extraordinary in its detail, color and brutality."--The Independent "Ryman has crafted a solid historical novel with an authentic feel for both ancient and modern Cambodia." --Washington DC City Paper "Another masterpiece by one of the greatest fiction writers of our time."--Kim Stanley Robinson "Ryman's knack for depicting characters; his ability to tell multiple, interrelated stories; and his knowledge of Cambodian history crea...
New Hollywood Cinema
What is "New Hollywood"? The "art" cinema of the Hollywood "Renaissance" or the corporate controlled blockbuster? The introverted world of Travis Bickle or the action heroics of Indiana Jones, Buzz Lightyear, and Maximus the Gladiator? Innovative departures from the "classical" Hollywood style or superficial glitz, special effects, and borrowings from MTV? Wholesale change or important continuities with Hollywood's past? The answer suggested by Geoff King in New Hollywood Cinema is all of these and more. He examines New Hollywood from three main perspectives: film style, industry, and the social-historical context. Each is considered in its own right, sometimes resulting in different ways of...
Science Fiction Cinema
This book charts the dimensions of one of the most popular genres in the cinema. From lurid comic-book blockbusters to dark dystopian visions, science fiction is seen as both a powerful cultural barometer of our times and the product of particular industrial and commercial frameworks. The authors outline the major themes of the genre, from representations of the mad scientist and computer hacker to the relationship between science fiction and postmodernism, exploring issues such as the meaning of special effects and the influence of science fiction cinema on the entertainment media of the digital age. Over one hundred films are discussed and the book concludes with an extensive case study of Star Wars I: The Phantom Menace.
Donnie Darko
With its gothic tale of a troubled teen haunted by visions of a figure in a Halloween rabbit suit, Donnie Darko was among the first cult movie phenomena of the twenty-first century, making debut director Richard Kelly Hollywood hot property before he reached his thirtieth birthday. This study narrates the film's journey from box-office bemusement through word of mouth success to the recent director's cut of the film, and also discusses fans' reactions to the film's enigmatic conclusion, explaining how Donnie Darko gripped the imagination of Generation X teenagers across the world.
Mapping Reality
An original and wide-ranging study of the mappings used to impose meaning on the world, Mapping Reality argues that maps create rather than merely represent the ground on which they rest. Distinctions between map and territory questioned by some theorists of the postmodern have always been arbitrary. From the history of cartography to the mappings of culture, sexuality and nation, Geoff King draws on an extensive range of materials, including mappings imposed in the colonial settlement of America, the Cold War, Vietnam and the events since the collapse of the Soviet bloc. He argues for a deconstruction of the opposition between map and territory to allow dominant mappings to be challenged, their contours redrawn and new grids imposed.
Positioning Art Cinema
From films that claim the status of harsh realism to others which embody aspects of the tradition of modernism or the poetic, art cinema encompasses a variety of work from across the globe. But how is art cinema positioned in the film marketplace, or by critics and in academic analysis? Exactly what kinds of cultural value are attributed to films of this type and how can this be explained? This book offers a unique analysis of how such processes work, including the broader cultural basis of the appeal of art cinema to particular audiences. Geoff King argues that there is no single definition of art cinema, but a number of distinct and recurrent tendencies are identified. At one end of the sp...
