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New Media, 1740-1915
A cultural history of media that were "new media" in the eighteenth, nineteenth, and twentieth centuries.
Eternity in the Ether
Mass media and the Church of Jesus Christ of Latter-day Saints evolved alongside each other, and communications technology became a fundamental part of the Church’s institutions and communities. Gavin Feller investigates the impact of radio, television, and the internet on Mormonism and what it tells us about new media’s integration into American life. The Church wrestled with the promise of new media to help implement its vision of Zion. But it also had to contend with threat that media posed to the family and other important facets of the Latter-day Saint faith. Inevitably, media technologies forced the leadership and lay alike to reconsider organizational values and ethical commitments. As Feller shows, the conflicts they faced illuminate the fundamental forces of control and compromise that enmesh an emerging medium in American social and cultural life. Intriguing and original, Eternity in the Ether blends communications history with a religious perspective to examine the crossroads where mass media met Mormonism in the twentieth century.
Jews, God, and Videotape
A pioneering examination of the impact of new communications technologies and media practices on the religious life of American Jewry Engaging media has been an ongoing issue for American Jews, as it has been for other religious communities in the United States, for several generations. Shandler’s examples range from early recordings of cantorial music to Hasidic outreach on the Internet. In between he explores mid-twentieth-century ecumenical radio and television broadcasting, video documentation of life cycle rituals, museum displays and tourist practices as means for engaging the Holocaust as a moral touchstone, and the role of mass-produced material culture in Jews’ responses to the ...
Lights, Camera, History
This important volume addresses a number of central topics concerning how history is depicted in film. In the preface, the volume editors emphasize the importance of using film in teaching history: students will see historical films, and if they are not taught critical viewing, they will be inclined simply to accept what they see as fact. Authors of the individual chapters then explore the portrayal of history--and the uses of history--in specific films and film genres. Robert Rosenstone's "In Praise of the Biopic" considers such films as Reds, They Died with Their Boots On, Little Big Man, Seabiscuit, Cinderella Man, and The Grapes of Wrath. In his chapter, Geoff Pingree focuses on the big ...
Always Already New
In Always Already New, Lisa Gitelman explores the newness of new media while she asks what it means to do media history. Using the examples of early recorded sound and digital networks, Gitelman challenges readers to think about the ways that media work as the simultaneous subjects and instruments of historical inquiry. Presenting original case studies of Edison's first phonographs and the Pentagon's first distributed digital network, the ARPANET, Gitelman points suggestively toward similarities that underlie the cultural definition of records (phonographic and not) at the end of the nineteenth century and the definition of documents (digital and not) at the end of the twentieth. As a result...
Angels of Efficiency
"Corporate consulting, a one-time seemingly marvelous mixture of bare-knuckle rationalization, esoterica, and visionary futurism, is invariably deployed when business structures threaten to lose their equilibrium. What it actually means to be consulted, the part played by media in consulting, and how the branch of corporate consulting became a system of knowledge with such a socially important role is the object of this book. For the first time, it explores the ways in which the latest media technology, avant-garde aesthetics, economic pressures, and holistic philosophy together constituted the form of consulting dominant today, and which consequences arise from this. Thus it follows the wor...
Touch Screen Theory
Technology companies claim to connect people through touchscreens, but by conflating physical contact with emotional sentiments, they displace the constructed aspects of devices and women and other oppressed individuals’ critiques of how such technologies function. Technology companies and device designers correlate touchscreens and online sites with physical contact and emotional sentiments, promising unmediated experiences in which the screen falls away in favor of visceral materiality and connections. While touchscreens are key elements of most people’s everyday lives, critical frameworks for understanding the embodied experiences of using them are wanting. In Touch Screen Theory, Mic...
England Re-Oriented
Between 1750 and 1857, westward-bound Central and South Asian travelers connected imperial Britain to Persian Indo-Eurasia by performing queer masculinities.
Ham Radio's Technical Culture
A history of ham radio culture: how ham radio enthusiasts formed identity and community through their technical hobby, from the 1930s through the Cold War.
Performing the Gospels in Byzantium
Tracing the Gospel text from script to illustration to recitation, explores the ritual and architectural context of illuminated manuscripts.
