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Classic American Drama
  • Language: en
  • Pages: 68

Classic American Drama

  • Type: Book
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  • Published: 1993
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  • Publisher: Unknown

Arthur Miller, Tennessee Williams and, later, Edward Albee were responsible for the resurgence of post-Second World War American drama. This study attempts to explain why The Crucible, The Glass Menagerie, A Streetcar Named Desire and Who's Afraid of Virginia Woolf? have become modern theatre classics. In particular, thewriter argues that each dramatist sought to find ways of transcending the limitations imposed by the adoption of the basic theatrical conventions of realism, in order to give their works a more universal symbolic significance. Each dramatist developed their own means of creating a heightened level f theatricality whose appeal is essentially visceral rather than intellectual. ...

Interpreting Chekhov
  • Language: en
  • Pages: 324

Interpreting Chekhov

  • Type: Book
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  • Published: 2006-08-01
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  • Publisher: ANU E Press

The author's contention is that Chekhov's plays have often been misinterpreted by scholars and directors, particularly through their failure to adequately balance the comic and tragic elements inherent in these works. Through a close examination of the form and content of Chekhov's dramas, the author shows how deeply pessimistic or overly optimistic interpretations fail to sufficiently account for the rich complexity and ambiguity of these plays. The author suggests that, by accepting that Chekhov's plays are synthetic tragi-comedies which juxtapose potentially tragic sub-texts with essentially comic texts, critics and directors are more likely to produce richer and more deeply satisfying interpretations of these works. Besides being of general interest to any reader interested in understanding Chekhov's work, the book is intended to be of particular interest to students of Drama and Theatre Studies and to potential directors of these subtle plays.

Page to Stage
  • Language: en
  • Pages: 214

Page to Stage

  • Type: Book
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  • Published: 1984
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  • Publisher: Rodopi

None

Ubu Films
  • Language: en
  • Pages: 296

Ubu Films

  • Categories: Art
  • Type: Book
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  • Published: 1997
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  • Publisher: UNSW Press

The Ubu film group, Australia's first experimental filmmakers and distributors. A reference for devotees of film, theatre, those interested in the arts, music and graphic design.

Petty Sessions
  • Language: en
  • Pages: 118

Petty Sessions

  • Type: Book
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  • Published: 1988
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  • Publisher: Unknown

None

Tennessee Williams's The Glass Menagerie
  • Language: en
  • Pages: 187

Tennessee Williams's The Glass Menagerie

Premiering in 1944, The Glass Menagerie was Tennessee Williams's first popular success. Today the play is considered one of Williams's masterpieces and is frequently performed. This updated volume is an essential resource for those seeking to deepen their appreciation of this fascinating character study. Book jacket.

Global Warming and Other Bollocks
  • Language: en
  • Pages: 368

Global Warming and Other Bollocks

The idea that we are one step from calamity is as old as history itself. Every step on the road of progress has been countered by those who think that we should keep to a primitive lifestyle that they claim is compatible with nature. But despite the fact they ve been proved wrong, the pessimists are undeterred by their abysmal record. Today, industrialization, genetically modified crops, scientific medicine, nuclear power, and the car are held up as harbingers of doom. Politicians and pressure groups play on this same basic fear. They scare us with tales of an inevitable global warming catastrophe blamed on CO2 emissions, and they stoke the fires of terror that an obesity epidemic will kill all our children. But will pesticides kill off life in our oceans, will chemicals in food poison us all, and invisible rays from power cables and mobiles kill us with cancer?"

Australian Metatheatre on Page and Stage
  • Language: en
  • Pages: 210

Australian Metatheatre on Page and Stage

This book offers the first major discussion of metatheatre in Australian drama of the late twentieth and early twenty-first centuries. It highlights metatheatre’s capacity to illuminate the wider social, cultural, and artistic contexts in which plays have been produced. Drawing from existing scholarly arguments about the value of considering metatheatre holistically, this book deploys a range of critical approaches, combining textual and production analysis, archival research, interviews, and reflections gained from observing rehearsals. Focusing on four plays and their Australian productions, the book uses these examples to showcase how metatheatre has been utilised to generate powerful elements of critique, particularly of Indigenous/non-Indigenous relations. It highlights metatheatre’s vital place in Australian dramatic and theatrical history and connects this Australian tradition to wider concepts in the development of contemporary theatre. This illuminating text will be of interest to students and scholars of Australian theatre (historic and contemporary) as well as those researching and studying drama and theatre studies more broadly.

The Russian Medical Humanities
  • Language: en
  • Pages: 215

The Russian Medical Humanities

For the first time in English, The Russian Medical Humanities: Past and Present argues that the medical humanities is a vibrant and emerging field in Post-Soviet Russia. In a unique collaboration that brings together diverse experts from both Russia and America, this volume showcases the Russian medical humanities as an interdisciplinary project that combines insights from philosophy, bioethics, anthropology, history, and literature in order to provide more compassionate medical care to patients in the twenty-first century. The chapters in this volume explore past and present humanistic trends in Russian medical training, as well as examine how Russian authors and cultural figures, some phys...

The Suitors
  • Language: en
  • Pages: 76

The Suitors

THE STORY: One of the most hilarious French plays ever written, Racine's only comedy (1688) tells of a judge named Nigaud who has lost his mind from overwork and yet is possessed with the desire to go to court and try cases day and night. His son,