You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
In tracing the course of French comedy from the Renaissance, through the age of Louis XIV and the eighteenth century, to the eve of the Revolution, originally published in 1977, Geoffrey Brereton shows how it evolved from the crude farces and experimental plays of the sixteenth century to become a rich and highly sophisticated dramatic genre. The main emphasis is on the work of the principal dramatists, notably Molière (whose plays and career are given a detailed and enlightening treatment), Corneille, Scarron, Marivaux and Beaumarchais, with some space devoted to the more neglected writers, such as the ‘cynical generation’ of Dancourt, Regnard, Lesage and others; and all the plays are ...
Originally published in 1973, the history of French tragedy and tragicomedy from their origins in the sixteenth century to the last years of Louis XIV's reign is here surveyed in a single volume. Dr Brereton examines the plays as types of drama, the circumstances in which they were produced and their reception by contemporaries.
The medieval court historian Jean Froissart is famous today for writing the ‘Chronicles’, a voluminous and detailed account of the fourteenth century, which concerns the “honourable adventures and feats of arms” of the Hundred Years’ War. As a scholar, Froissart lived among the nobility of several European courts and he travelled widely. His ‘Chronicles’ remains the most important document of feudal times in Europe and the best contemporary exposition of chivalric and courtly ideals. Delphi’s Medieval Library provides eReaders with rare and precious works of the Middle Ages, with noted English translations and the original texts. This eBook presents Froissart’s ‘Chronicle...
Minutes of meetings of the society appear in most of the vols.