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The aesthetic and political implications of working with code as procedure, expression, and action. Speaking Code begins by invoking the “Hello World” convention used by programmers when learning a new language, helping to establish the interplay of text and code that runs through the book. Interweaving the voice of critical writing from the humanities with the tradition of computing and software development, in Speaking Code Geoff Cox formulates an argument that aims to undermine the distinctions between criticism and practice and to emphasize the aesthetic and political implications of software studies. Not reducible to its functional aspects, program code mirrors the instability inher...
This book draws on the lived experience of sounds capacity to move and shake us in direct, subtle and profound ways through speech, location sound, and music in documentary film. The associative, connotative and sheer emotive power of sound has the capacity to move and shake us in a myriad of direct, subtle and often profound ways. The implications of this for its role as speech, location sound, and music in documentary film are far-reaching. The writers in this book draw on the lived experience of sounds resounding capacity as primary motivation for exploring these implications, united by the overarching theme of how listening is connected with acts of making sense both on its own terms and...
Goodies and baddies take some sorting out in this tale of the siege of Madrid by Franco's right-wing forces supported by the Nazis and the fascist regime of Mussolini (the 'rebels'), against the civilian population and its government representatives, just elected, who happened to be left-wing. Once sorted, Cox's account of the city under attack, in one of the twentieth century's first urban wars, has all too many echoes today. This new edition, with an introduction and selection of historical photographs, as well as samples of Cox's journalism from the front, will confirm its position as one of the classics of twentieth-century reportage. It is being published for the 70th anniversary of the event.
The book explores the technical as well as cultural imaginaries of programming from its insides, demonstrating the reflexive practice of aesthetic programming, to understand and question existing technological objects and paradigms.
The WWII battle of Sidi Rezegh was fought in November-December 1941, part of a campaign to retake eastern Libya and drive the enemy out of North Africa. It was partially successful and achieved the badly needed relief of Tobruk. The New Zealand Division played a major role in this complex campaign. Peter Cox sets the scene for the fighting in Libya, describes the unforgiving desert landscape, follows the stages of the action itself and recounts the often heroic stories of those who fought there.
What do we mean when we say that something is contemporary? And what should the designator contemporary art refer to? What constitutes the present present or the contemporary contemporary? Introductory Thoughts on Contemporaneity and Contemporary Art, the first book in the Contemporary Condition series, introduces key issues concerning contemporaneity as a defining condition of our historical present and calls for a deep rethinking of the structures of temporalization.
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A rational choice model analyses the problems of voter choice, the emergence of partly loyalty and cabinet government in Victorian England.
Popular elections are at the heart of representative democracy. Thus, understanding the laws and practices that govern such elections is essential to understanding modern democracy. In this book, Cox views electoral laws as posing a variety of coordination problems that political forces must solve. Coordination problems - and with them the necessity of negotiating withdrawals, strategic voting, and other species of strategic coordination - arise in all electoral systems. This book employs a unified game-theoretic model to study strategic coordination worldwide and that relies primarily on constituency-level rather than national aggregate data in testing theoretical propositions about the effects of electoral laws. This book also considers not just what happens when political forces succeed in solving the coordination problems inherent in the electoral system they face but also what happens when they fail.
John Mulgan was part of a gifted yet uneasy group of young New Zealanders who made their mark between the wars - men such as Ian Milner, James Bertram, Dan Davin and Geoffrey Cox. An Oxford graduate, he worked as a publisher at Oxford University Press before leaving for the front in World War Two. Fascinated but sometimes troubled by his home country, Mulgan saw New Zealand as a place of challenge and austere demands, a land that produced men more practical than cultivated. In his famous novel, Man Alone, he depicted it as a tough, often heartless country, characterised by the solitary figure who has come to symbolise the male New Zealand psyche. He wrote more warmly of the place and the peo...