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The Limits of Voice
The title of this work derives from Costa-Lima's reading of what is probably the most famous passage in Kant's Third Critique. In Kant's thesis that the results of aesthetic judgment are "generally communicable but without the mediation of a concept," Costa-Lima discovers the necessity to identify and underscore a silence. This silence - these "limits of voice" - becomes the complex metonymy for the central theme of this book, literary experience as a case of aesthetic experience. In pursuing this theme, Costa-Lima views aesthetic and literary experience as a historically limited potentiality and examines the limits of aesthetic experience, which comes from its dependence on contextual requi...
The Myth of Power and the Self
The Myth of Power and the Self brings together Walter Sokel's most significant essays on Kafka written over a period of thirty-one years, 1966-1997. Franz Kafka (1883-1924) has come to be one of the most influential writers of the twentieth century. The Myth of Power and the Self brings together Walter Sokel's most significant essays on Kafka written over a period of thirty-one years, 1966-1997. This volume begins with a discussion of Sokel's 1966 pamphlet on Kafka and a summary of his 1964 book, Tragik und Ironie (Tragedy and Irony), which has never been translated into English, and includes several essays published in English for the first time. Sokel places Kafka's writings in a very large cultural context by fusing Freudian and Expressionist perspectives and incorporating more theoretical approaches--linguistic theory, Gnosticism, and aspects of Derrida--into his synthesis. This superb collection of essays by one of the most qualified Kafka scholars today will bring new understanding to Kafka's work and will be of interest to literary critics, intellectual historians, and students and scholars of German literature and Kafka.
The Road into the Open
A finely drawn portrayal of the disintegration of Austrian liberal society under the impact of nationalism and anti-semitism, The Road into the Open (Der Weg ins Freie, 1908) is a remarkable novel by a major Austrian writer of the early twentieth century. Set in fin-de-siècle Austria—the cafés, salons, and musical concerts frequented by the Viennese elite—Schnitzler's perceptive exploration of the creative process and the private lives and public aspirations of urban Jewish intellectuals ranks with the highest achievements of Karl Kraus and Robert Musil. The novel's central character, Baron Georg von Wergenthin, is a handsome young composer whose troubled relations with women, musical collaborators, and representatives of the old social order make Schnitzler's book a revealing investigation of individual psychology and social allegory. In his comprehensive introduction, Russell Berman situates the book within the literary and political history of Central Europe and analyzes its relation to psychoanalysis, Marxism, musical aesthetics, and the legacy of European modernism.
Narcissism and Paranoia in the Age of Goethe
"The analyses of poems, narratives, dramas, and critical texts by Moritz, Schiller, Herder, Tieck, Goethe, Lavater, and others shed new light on how progress in the medical, philosophical, and anthropological discourses of the time converge with aesthetic and literary considerations." "The volume illustrates how aspects of Freud's psychology have grown out of notions of subjectivity not confined to the Victorian age, as is often assumed, but with roots in the contradicting values of bourgeois emancipation."--Jacket.
Once a Week
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The Führer Must Die
Experience the exciting and suspenseful tale of the man who almost took out one of the greatest villains in history—and lived to never tell the tale. On November 8, 1939, a nondescript German clockmaker named Georg Elser placed a bomb in a Munich beer hall where Hitler was scheduled to give a speech. His simple intent: to stop the impending onset of World War II. The bomb’s explosion missed the Fuhrer by only minutes, still killing more than 150 members of the Nazi Old Guard. After the attack, Elser was caught by happenstance at the porous Swiss border. When his family was threatened, he immediately confessed. There was only one problem: The Gestapo couldn’t accept his confession as a ...
From Rubble To Champagne
Vivianne Knebel was born illegitimate in 1943 in the epicenter of Nazi power, Berlin, Germany. Her free-spirited and strong-willed mother, Marija, fought to keep her alive among falling bombs and Soviet attacks. After the end of World War II, with much of Berlin razed to the ground, Vivianne came to know poverty and constant hunger. As a teenager, she immigrated to Canada, but in her new homeland, times became so desperate that she had to beg for money to eat. After dropping out of school to find work, Vivianne became the victim of sexual harassment. Spiraling into depression, she attempted to take her life, but was miraculously saved by a six-year-old child. Falling in love with a fellow Ge...
“The” Nightingale
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Sehnsucht: The Story of Grisch.
In my early years, I felt sadness in my Grandpa Grisch; it seemed to cling to him. What feelings could not do, however, was give me greater understanding into his inner world. Unknown to me, family had stored close to one hundred letters for over thirty years and these would pass into my hands the summer of 2019. Once transcribed from German into English these letters exposed the truth of what Grisch had carried over his lifetime and confirm what I felt but did not know. The reader will bear witness, as Grisch did, of his family's disorientation, trauma and loss that would take them to Kazakhstan and Paraguay while he lived a simple life on a small farm in Steinbach, Manitoba, Canada. Despite their separation, whether in years or experience, Grisch would never shake off a longing for what had been familiar, a place to call "home".
Kafka in 60 Minutes
Kafka is surely the most widely read, worldwide, of all German-language authors. We owe to him not just a compelling part of the global literary heritage but also a profound philosophical discovery. He has succeeded in grasping like no other writer the radical dependency, for his very being, of Man upon Man: "(We) are tied together by ropes," writes Kafka, "and it's bad enough when the ropes around an individual loosen and he drops somewhat lower than the others into empty space; ghastly when the ropes break and he falls." His stories allow us profound insight into the abysmal depths of interpersonal relations and into their fundamental structure: an insight from which no one can turn away. ...
