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Glasgow’s thirteenth-century cathedral is the city’s oldest building and one of Scotland’s top tourist destinations. The cathedral remains an active congregation of the Church of Scotland and serves as the focus for many events of national significance. It is, however, many years since a comprehensive overview of the cathedral’s history has been published. The standard work, The Book of Glasgow Cathedral, was compiled more than 120 years ago by George Eyre-Todd. Since then, the interior of the building has been completely transformed, thanks largely to the efforts of the Society of Friends of Glasgow Cathedral, founded in 1936 by the Rev. A. Nevile Davidson with the aims of “adorni...
Late Victorian Scotland had a flourishing music publishing trade, evidenced by the survival of a plethora of vocal scores and dance tune books; and whether informing us what people actually sang and played at home, danced to, or enjoyed in choirs, or reminding us of the impact of emigration from Britain for both emigrants and their families left behind, examining this neglected repertoire provides an insight into Scottish musical culture and is a valuable addition to the broader social history of Scotland. The decline of the music trade by the mid-twentieth century is attributable to various factors, some external, but others due to the conservative and perhaps somewhat parochial nature of t...
Why did Scots in the nineteenth and twentieth centuries know so little about their past and even less about those who controlled their history? Is the historical narrative the only legitimate medium through which the past can be made known? Are novelists and historians as far apart as convention has it? In an age when history grounds any claims to national status, these are important questions and they have implications for how Scottish history has evolved, and how Scottish identity has been understood up to the present day. Scottish history is not simply the distillation of Scotland's past: authors shape what we know and how we judge our forebears. This book investigates who decided which S...
Includes entries for maps and atlases.
What do we mean by 'Scottish literature'? Why does it matter? How do we engage with it? Bringing infectious enthusiasm and a lifetime's experience to bear on this multi-faceted literary nation, Alan Riach, Professor of Scottish Literature at the University of Glasgow, sets out to guide you through the varied and ever-evolving landscape of Scottish literature. A comprehensive and extensive work designed not only for scholars but also for the generally curious, Scottish Literature: an introduction tells the tale of Scotland's many voices across the ages, from Celtic pre-history to modern mass media. Forsaking critical jargon, Riach journeys chronologically through individual works and writers, both the famed and the forgotten, alongside broad overviews of cultural contexts which connect texts to their own times. Expanding the restrictive canon of days gone by, Riach also sets down a new core body of 'Scottish Literature': key writers and works in English, Scots, and Gaelic. Ranging across time and genre, Scottish Literature: an introduction invites you to hear Scotland through her own words.
On the cusp of memory and history, the story of Scotland's twentieth-century is contested territory: international yet parochial; prosperous yet ailing; and, passionate yet temperate. This thematic account of Scotland's twentieth century examines the economic, social, political and cultural aspects that shaped the country during the period. Catroina MacDonald underlines the tensions inherent in the life of a nation distinguished by stark changes and surprising continuities, a fragmented identity, a shifting and at times uneasy accommodation in the UK nation state, and an ongoing engagement with globalising tendencies. In identifying the choices, ambitions, possibilities and contradictions that Scotland experienced during a century of profound change, she uncovers a country in which one can truly say extremes met.