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George A. Romero
George A. Romero (b. 1940) has achieved a surprising longevity as director since his first film, Night of the Living Dead (1968). After relocating to Canada, he shows no signs of slowing up: his recent film, Survival of the Dead (2009), is discussed in a new interview conducted by Tony Williams for this volume, and still other films are awaiting release. Although commonly known as a director of zombie films, a genre he himself launched, Romero's films often transcend easy labels. His films are best understood as allegorical commentaries on American life that just happen to appropriate horror as a convenient vehicle. Romero's films encompass works as different as The Crazies, Hungry Wives, Knightriders, and Bruiser. The interviews in this collection cover a period of over forty years. In whatever format they originally appeared—the printed page, the internet, or the video interview—these discussions illustrate both the evolution of Romero's chosen forms of technology and the development of his thinking about the relationship between cinema and society. They present Romero as an independent director in every sense of the word.
The Cinema of George A. Romero
Explores the relevance of Romero's films within American cultural traditions and explains the potency of such work beyond 'splatter movie' models.
The Living Dead
A work of horror genius from the Godfather of zombie film-making, George A. Romero, and celebrated writer Daniel Kraus . . . It begins with one body. A pair of medical examiners find themselves facing a dead man who won't stay dead. It spreads quickly. In a Midwestern trailer park, an African American teenage girl and a Muslim immigrant battle newly-risen friends and family. On a US aircraft carrier, living sailors hide from dead ones while a fanatic preaches the gospel of a new religion of death. At a cable news station, a surviving anchor keeps broadcasting, not knowing if anyone is watching, while his undead colleagues try to devour him. In DC, an autistic federal employee charts the outbreak, preserving data for a future that may never come. Everywhere, people are targeted by both the living and the dead. We think we know how this story ends. We. Are. Wrong. 'A horror landmark, a work of gory genius.' JOE HILL, author of NOS4A2 'A monumental achievement.' ADAM NEVILL, author of The Ritual 'Like a lost Romero classic.' CLIVE BARKER, author of Hellraiser 'A sprawling, timely, scary epic.' PAUL TREMBLAY, author of The Cabin at the End of the World
The Cinema of George A. Romero
The Cinema of George A. Romero: Knight of the Living Dead is the first in-depth study in English of the career of this foremost auteur working at the margins of the Hollywood mainstream in the horror genre. In placing Romero's oeuvre in the context of literary naturalism, the book explores the relevance of the director's films within American cultural traditions and thus explains the potency of such work beyond 'splatter movie' models. The author explores the roots of naturalism in the work of Emile Zola and traces this through to the EC Comics of the 1950s and on to the work of Stephen King. In so doing, the book illuminates the importance of seminal Romero texts such as Night of the Living Dead (1968), Creepshow (1982), Monkey Shines (1988), The Dark Half (1992). This study also includes full coverage of Romero's latest feature, Bruiser (2000), as well as his screenplays and teleplays.
Raising the Dead
Raising the Dead dives into the expansive, extraordinary body of work found in Romero's archive, going beyond his iconic zombie movies into a deep and varied trove of work that never made it to the big screen. Based on years of archival research, the book moves between unfilmed scripts and familiar classics, showing the remarkable scope and range of Romero's interests and the full extent of his genius. Raising the Dead is a testament to an extraordinarily productive and inventive artist who never let the restrictions of the film industry limit his imagination.
The Making of George A. Romero's Day of the Dead
Released in 1985,Day of the Deadwas the final film of George A. Romero's classic zombie trilogy, which forever changed the face of horror filmmaking. Set in an apocalyptic world where the living-dead epidemic has wiped out most of humanity, the movie quickly acquired cult status, and — with one remake released in 2008 and another planned for 2014 — its influence on popular culture can still be felt today. Now, for the first time, the full history of the making of the iconic original film is revealed. Drawing on a wealth of exclusive interviews with the cast and crew, author Lee Karr leaves no stone unturned in detailing the movie's preproduction, shoot, release, and legacy. Filled with behind-the-scenes gossip and previously unpublished stories from the set, as well as over 100 full-color photos, this book givesDay of the Deadthe resurrection it deserves.
Dawn of the Dead
A handful of survivors find refuge at a local mall. They realize that a mall is the perfect place to sit out the end of the world and even begin to enjoy themselves. But before long, the zombies start to find their way in.
George A. Romero
The dead walk. Putrid corpses claw their way out of earthy graves and stumble towards civilisation. They are bloody, rotting and hungry for human flesh - and it's all George Romero's fault. With 1968's Night of the Living Dead, Romero unleashed the modern zombie onto cinemas, annihilating their voodoo roots and resurrecting them as passed away friends and dead loved ones. This Pocket Essential examines Romero's work up to and including his latest film Diary of the Dead, and explains why filmmakers like Tarantino and Scorsese often refer to him as horror's greatest living director.
Toe Tags Featuring George A. Romero
Cult movie writer/director George Romero -- best known for his work on the horror classics Night of the Living Dead, Dawn of the Dead, and Day of the Dead -- writes an original horror tale in "Toe Tags"! Overnight, the world has been turned upside down, and zombies rule the day! It's up to a college professor named Hoffman, his assistant Damien Cross and his girlfriend to find out how and why the undead have taken over. But even if they do get to the bottom of the plague, is it too late to save the world? Collects TOE TAGS #1-6.
George Romero's Empire of the Dead
Collects George Romero's Empire of the Dead: Act One #1-5.
