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The Art of Adapting Victorian Literature, 1848-1920
In The Art of Adapting Victorian Literature, 1848-1920, Karen E. Laird alternates between readings of nineteenth-century stage and twentieth-century silent film adaptations to investigate the working practices of the first adapters of Victorian fiction. Laird’s juxtaposition between stage and screen brings to life the dynamic culture of literary adaptation as it developed throughout the long nineteenth-century. Focusing on Charlotte Brontë’s Jane Eyre, Charles Dickens’s David Copperfield, and Wilkie Collins’s The Woman in White, Laird demonstrates how adaptations performed the valuable cultural work of expanding the original novel’s readership across class and gender divides, exporting the English novel to America, and commemorating the novelists through adaptations that functioned as virtual literary tourism. Bridging the divide between literary criticism, film studies, and theatre history, Laird’s book reveals how the Victorian adapters set the stage for our contemporary film adaptation industry.
The Art of Adapting Victorian Literature, 1848-1920
In The Art of Adapting Victorian Literature, 1848–1920, Karen E. Laird alternates between readings of nineteenth-century stage and twentieth-century silent film adaptations to demonstrate the working practices of the first adapters of Victorian fiction. Focusing on Charlotte Brontë’s Jane Eyre, Charles Dickens’s David Copperfield, and Wilkie Collins’s The Woman in White, Laird charts a new cultural history of literary adaptation as it developed throughout the long nineteenth-century.
Capital Offenses
By 1900 crime appears as a distinctively modern problem, requiring large-scale solutions and government intervention in place of an older approach rooted in personal morality or philanthropic paternalism.".
Oliver Twist
George Almar was a popular Victorian actor and comedian known for writing melodramas and in his adaptation of "Oliver Twist" he made use of every one of the elements of dramatic melodrama for his production at the Surrey Theatre. In fact, the production's melodramatic staging such as the gruesome murder of Nancy by Sikes and the crude criminal activities of the characters caused the management of the theatre to issue a reply to the public outcry against such things being presented on stage. Of course, all this lead to a successful box office and a run of over 80 performances. The play would go on to have many provincial tours, and in America it became a staple of stock companies, still playing well into the 20th Century. Published as part of Theatre Arts Press' Dickens Dramatized Series of Plays.
Encyclopedia of Gothic Literature
Presents an alphabetical reference guide detailing the lives and works of authors associated with Gothic literature.
Bread on the Waters
None
Who Wrote "The Night Before Christmas"?
Published anonymously in 1823, "The Night Before Christmas" has traditionally been attributed to Clement Clarke Moore (1779-1863), who included it in his Poems (1844). But descendants of Henry Livingston (1748-1828) claim that he read it to his children as his own creation long before Moore is alleged to have composed it. This book evaluates the opposing arguments and for the first time uses the author-attribution techniques of modern computational stylistics to settle the long-standing dispute. Both writers left substantial bodies of verse, which have been computer analyzed for distinguishing characteristics. Employing a range of tests and introducing a new one--statistical analysis of phonemes--this study identifies the true author and makes a significant contribution to the growing field of attribution studies.
