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The first biography in over half a century of New York's first governor and vice president under Jefferson and Madison, George Clinton analyzes the public career of this pivotal founder who has remained lost to history.
The biography of George Clinton, one of music's most fascinating, colourful and innovative characters, featuring a new cover and foreword by critic Miles Marshall Lewis. The most comprehensive history of the life, music and cultural significance of a great Black music pioneer and the era which spawned him. Clinton stands alongside James Brown, Jimi Hendrix and Sly Stone as one of the most influential Black artists of all time who, along with his vast P-Funk army took black funk into the US charts and sold out stadiums by the mid 1970s with his mind-blowing shows and legendary Mothership extravaganzas. The book contains first hand interview material with Clinton, Bootsy Collins, Jerome Bigfoot Brailey, Junie Morrison, Bobby Gillespie, Afrika Bambaataa, Jalal Nuriddin (Last Poets), Juan Atkins, John Sinclair, Rob Tyner (MC5), Ed Sanders (The Fugs), Chip Monck ("The Voice of Woodstock") plus other P-Funk associates and friends. An insiders' view of the rise of Parliament and Funkadelic from the doowop era and LSD-crazed early shows through to P-Funk's huge rise, the era of the Mothership and beyond.
The first in-depth biography of one of music's most fascinating, colorful and innovative characters, the last of the black music pioneers
In Extended Play, one of the country's most innovative music writers conducts a wide-ranging tour through the outer limits of contemporary music. Over the course of more than twenty-five portraits, interviews, and essays, John Corbett engages artists from lands as distant as Sweden, Siberia, and Saturn. With a special emphasis on African American and European improvisers, the book explores the famous and the little known, from John Cage and George Clinton to Anthony Braxton and Sun Ra. Employing approaches as diverse as the music he celebrates, Corbett illuminates the sound and theory of funk and rap, blues and jazz, contemporary classical, free improvisation, rock, and reggae. Using cultura...
Traces the funk music legend's rise from a 1950s barbershop quartet to an influential multigenre artist, discussing his pivotal artistic and business achievements with "Parliament-Funkadelic.".
“The Hollywood memoir that tells all . . . Sex. Drugs. Greed. Why, it sounds just like a movie.”—The New York Times Every memoir claims to bare it all, but Julia Phillips’s actually does. This is an addictive, gloves-off exposé from the producer of the classic films The Sting, Taxi Driver, and Close Encounters of the Third Kind—and the first woman ever to win an Academy Award for Best Picture—who made her name in Hollywood during the halcyon seventies and the yuppie-infested eighties and lived to tell the tale. Wickedly funny and surprisingly moving, You’ll Never Eat Lunch in This Town Again takes you on a trip through the dream-manufacturing capital of the world and into the ...
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Booming out from the depths of disco in the 1970s was an unmistakable new sound: a danceable beat and bass riff, laid under an exquisitely tight and inventive horn ensemble, all coaxed out by an ultra-hip narrator whose spoken revelations believably proclaimed they came from another planet. The speaker--actually, the rapper--was musical mastermind George Clinton. Under his inspired direction, the groups Parliament and Funkadelic established what he called "P-Funk" as the modern outgrowth of soul, its irresistible funky genius paving the way for everything from rap and hip-hop to techno and alternative. The authors take you aboard the P-Funk mothership for candid reflections from Clinton himself, and from bandmates Bootsy Collins, Fuzzy Haskins, Bernie Worrell, Fred Wesley, Garry Shider, album cover wizard Pedro Bell, and many others. In their own words, they tell you how it feels to lay down "uncut funk" with one of pop music's greatest innovators, and get booties shaking from coast to coast.
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