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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
This is a collection of essays on Lord Byron's writings. Topics range from Byron's reception in other cultures and histories, to Byron's unique conception of history, to essays dealing with his personal history, and the usage of Byron's works in cultural history writ large. There are also papers dealing with how Byron has been held up as an exceptional writer whose work has been emulated for many years. As history remains cyclical, Byron's compelling imagery serves as descriptive of destruction, regeneration, and the unyielding predicaments of modern life.
Byron's English translations of Armenian texts, historical and biblical; with anonymous Armenian translations of his letters and poetry, accompanied in each case by the original text.
"A dramatic monologue by Byron, published in 1817. It is based on the legend of Tasso's tragic love for Leonora d'Este: the narrator describes his imprisonment in a mad-house in Ferrara, and asserts his own enduring fame, which will outlive that of the city which has incarcerated him" -- Concise Oxford Companion to English Literature.