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King Lear
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Shakespeare as Literary Dramatist
Table of contents
George Peele
Presents the full text of some poetry written by English poet George Peele (1556-1596), from the "Oxford English Verse 1900" and provided online by Bibliomania.com, Ltd. Includes "Fair and Fair," "A Summer Song," and "A Farewell to Arms."
The Flight Into Inwardness
In his more recent works, Herbert Marcuse has come to appreciate the liberatory potential of the aesthetic practice. This book traces the development of that appreciation. A discussion of Kant's aesthetic theory, and Marcuse's improvement of it, is included.
The Tragedy of King Lear
The New Cambridge Shakespeare appeals to students worldwide for its up-to-date scholarship and emphasis on performance. The series features line-by-line commentaries and textual notes on the plays and poems. Introductions are regularly refreshed with accounts of new critical, stage and screen interpretations. For this second edition of King Lear, Jay L. Halio has added a new introductory section that focuses on recent developments in scholarly criticism as well as on contemporary productions of the play. The edition features a comprehensive account of Shakespeare's sources, including literary, political and folkloric influences on the work. Halio's text is edited from the Folio and he explains the differences between the quarto and Folio versions, alerting the reader to the rival charms of the quarto by sampling parallel passages in the Introduction and by including in an Appendix annotated passages that are unique to the quarto. An updated reading list completes the edition.
The Struggle for Shakespeare's Text
We know Shakespeare's writings only from imperfectly-made early editions, from which editors struggle to remove errors. The New Bibliography of the early twentieth century, refined with technological enhancements in the 1950s and 1960s, taught generations of editors how to make sense of the early editions of Shakespeare and use them to make modern editions. This book is the first complete history of the ideas that gave this movement its intellectual authority, and of the challenges to that authority that emerged in the 1980s and 1990s. Working chronologically, Egan traces the struggle to wring from the early editions evidence of precisely what Shakespeare wrote. The story of another struggle, between competing interpretations of the evidence from early editions, is told in detail and the consequences for editorial practice are comprehensively surveyed, allowing readers to discover just what is at stake when scholars argue about how to edit Shakespeare.
