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George Inness and the Science of Landscape
George Inness (1825-94), long considered one of America's greatest landscape painters, has yet to receive his full due from scholars and critics. A complicated artist and thinker, Inness painted stunningly beautiful, evocative views of the American countryside. Less interested in representing the details of a particular place than in rendering the "subjective mystery of nature," Inness believed that capturing the spirit or essence of a natural scene could point to a reality beyond the physical or, as Inness put it, "the reality of the unseen." Throughout his career, Inness struggled to make visible what was invisible to the human eye by combining a deep interest in nineteenth-century scienti...
George Inness
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George Inness
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George Inness and the Visionary Landscape
The landscape painter George Inness (1825-1894) was one of the foremost American artists of his generation. Born in Newburgh, New York, Inness studied the works of the old masters and, as a young man, painted in the reigning style of the Hudson River School. Within a few years, however, he found himself more attuned to the gestural, expressive approach of the Barbizon School. He greatly admired the free handling of paint and the expression of soulfulness in the works of Theodore Rousseau. Equally important were Inness's philosophical and spiritual concerns. Along with contemporaries Ralph Waldo Emerson, Elizabeth Barrett Browning, and Walt Whitman, Inness studied the writings of the Swedish ...
George Inness
The American landscape painter George Inness (1825-1894) was one of the most thoughtful and inventive artists of his generation. George Inness and the Visionary Landscape presents both a concise overview of Inness's life and work and a focused examination of his philosophical and religious preoccupations. It shows how Inness, inspired by the ideas of the scientist-mystic Emanuel Swedenborg (1688- 1772), devised a new artistic vocabulary to convey his understanding of the personal visionary experience. Moreover, it reveals commonalities between Inness's prescient work and efforts by the psychologist- philosopher William James (1842-1910) to validate mystical states of mind. It explains for the first time how Inness treated landscape painting as a form of philosophical inquiry that could communicate his holistic belief in the unity of nature and spirit.
George Inness
Luminist Horizons celebrates the art and collection of James A. Suydam (1819-1865), an American landscapist best known for his luminist paintings. Despite the fact that his name has been linked with luminism since the term was first coined, Suydam has not received the scholarly attention he deserves. With approximately 180 reproductions (eighty in color), this book considers Suydam's work in tandem with that of fellow Hudson River School artists such as Asher B. Durand, Frederic E. Church, and John F. Kensett and therefore contributes an important chapter to the history of American landscape painting. Significantly, Suydam's enduring legacy extends beyond his own creative output; his passion...
