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St Catherine in Tuscan Painting, by George Kaftal,...
  • Language: en
  • Pages: 133

St Catherine in Tuscan Painting, by George Kaftal,...

  • Type: Book
  • -
  • Published: 1949
  • -
  • Publisher: Unknown

None

St Francis in Italian Painting, by George Kaftal,...
  • Language: en
  • Pages: 130

St Francis in Italian Painting, by George Kaftal,...

  • Type: Book
  • -
  • Published: 1950
  • -
  • Publisher: Unknown

None

St Dominic in Early Tuscan Painting, by George Kaftal,...
  • Language: en
  • Pages: 95

St Dominic in Early Tuscan Painting, by George Kaftal,...

  • Type: Book
  • -
  • Published: 1948
  • -
  • Publisher: Unknown

None

Iconography of the Saints in Tuscan Painting
  • Language: en
  • Pages: 712

Iconography of the Saints in Tuscan Painting

  • Type: Book
  • -
  • Published: 1952
  • -
  • Publisher: Unknown

None

Iconography of the Saints in the Painting of North East Italy
  • Language: en
  • Pages: 706
St. Francis in Italian Painting
  • Language: en
  • Pages: 137

St. Francis in Italian Painting

  • Categories: Art
  • Type: Book
  • -
  • Published: 2021-11-29
  • -
  • Publisher: Routledge

Originally published in 1950, this book shows that the religious and ethical values that St. Francis was striving after are as essential today as they were in his time. The book presents St. Francis as a complex personality and corrects the rather mawkish interpretation of certain legends. It deals with the environment and development of the saint’s personality and chapters from his biographies by Thomas of Celano or St. Bonaventure and many black and white plates illustrating them which are reproductions of paintings by Italian masters from the XIIIth to the late XVth century.

St. Catherine in Tuscan Painting
  • Language: en
  • Pages: 156

St. Catherine in Tuscan Painting

  • Type: Book
  • -
  • Published: 1949
  • -
  • Publisher: Unknown

None

The Visual World of the Hungarian Angevin Legendary
  • Language: en
  • Pages: 350

The Visual World of the Hungarian Angevin Legendary

Dispersed in two continents, four countries and six collections; many of its pages were cropped, cut into four, or lost forever; its history, origin, commissioner and audience are obscure; still, in its fragmented state it presents fifty-eight legends in abundant series of images, on folios fully covered by miniatures, richly gilded, using only one side of the fine parchment; a luxurious codex worthy of a ruler; a unique iconographic treasury of medieval legends; one of the most significant manuscripts of the medieval Hungarian Kingdom – these are all what we call the Hungarian Angevin Legendary.

Iconography of the Saints in the Painting of North West Italy
  • Language: en
  • Pages: 466