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This book demonstrates how a local elite built upon colonial knowledge to produce a vernacular knowledge that maintained the older legacy of a pluralistic Sufism. As the British reprinted a Sufi work, Shah Abd al-Latif Bhittai's Shah jo risalo, in an effort to teach British officers Sindhi, the local intelligentsia, particularly driven by a Hindu caste of professional scribes (the Amils), seized on the moment to promote a transformation from traditional and popular Sufism (the tasawuf) to a Sufi culture (Sufiyani saqafat). Using modern tools, such as the printing press, and borrowing European vocabulary and ideology, such as Theosophical Society, the intelligentsia used Sufism as an idiomatic matrix that functioned to incorporate difference and a multitude of devotional traditions—Sufi, non-Sufi, and non-Muslim—into a complex, metaphysical spirituality that transcended the nation-state and filled the intellectual, spiritual, and emotional voids of postmodernity.
With illustrations and biographical sketches of some of its prominent men and pioneers.
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Underlay: a Rhapsody in Colour and Black And White...a political satire, comic fantasy, horror story, detective novel. Featuring...Death and Romance, Heroes, Villains, Demons, Succubi...confused men, fey women, a child who is fated to replay old records, a journalist whose hair and car are both yellow, two boys in the movie business, another who builds fish, several competing producers/directors... Giving up...Murder, Treachery, a talking penis. Incorporating Pain and an idea of Justice in a city that is all cities... On Earth as it is in Hell And Heaven, Past And Future, the Mother Metropolis: ILEUM.