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Historians in Cairo
There can be few if any historians working in the wide field of Middle East Studies--and certainly none in the world of Islamic art and architecture--who are unacquainted with historian and archaeologist George Scanlon. At different times from the mid-1950s to the present day he has lived, worked, and studied in Egypt. For a major part of that period, he has been associated with the American University in Cairo, where he is currently professor of Islamic art and architecture in the Department of Arabic Studies. Although diverse in subject matter, the essays collected here in his honor together present a composite picture of Cairo, and more broadly of Islamic history and culture, from early m...
The Cambridge History of China
International scholars and sinologists discuss culture, economic growth, social change, political processes, and foreign influences in China since the earliest pre-dynastic period.
Glass of the Sultans
This catalogue accompanies an exhibition that brings together more than 150 glass objects representing twelve centuries of Islamic glassmaking. Included are the principal types of pre-industrial glass from Egypt, the Middle East, and India in a comprehensive array of shapes, colors, and techniques such as glassblowing, the use of molds, the manipulation of molten glass with tools, and the application of molten glass to complete or decorate an object. -- Metropolitan Museum of Art website.
Song Blue and White Porcelain on the Silk Road
Song Blue and White Porcelain on the Silk Road disproves received opinion that pre-Ming blue and white dates to the Yuan (1279-1368 A.D.) and establishes the proper foundation for 21st century study of ancient Chinese porcelain.
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Togo Mizrahi and the Making of Egyptian Cinema
A free open access ebook is available upon publication. Learn more at www.luminosoa.org. In this book, Deborah A. Starr recuperates the work of Togo Mizrahi, a pioneer of Egyptian cinema. Mizrahi, an Egyptian Jew with Italian nationality, established himself as a prolific director of popular comedies and musicals in the 1930s and 1940s. As a studio owner and producer, Mizrahi promoted the idea that developing a local cinema industry was a project of national importance. Togo Mizrahi and the Making of Egyptian Cinema integrates film analysis with film history to tease out the cultural and political implications of Mizrahi’s work. His movies, Starr argues, subvert dominant notions of race, gender, and nationality through their playful—and queer—use of masquerade and mistaken identity. Taken together, Mizrahi’s films offer a hopeful vision of a pluralist Egypt. By reevaluating Mizrahi’s contributions to Egyptian culture, Starr challenges readers to reconsider the debates over who is Egyptian and what constitutes national cinema.
Seeking Bread and Fortune in Port Said
Seeking Bread and Fortune in Port Said probes migrant labor's role in shaping the history of the Suez Canal and modern Egypt. It maps the everyday life of Port Said's residents between 1859, when the town was founded as the Suez Canal's northern harbor, and 1906, when a railway connected it to the rest of Egypt. Through groundbreaking research, Lucia Carminati provides a ground-level perspective on the key processes touching late nineteenth-century Egypt: heightened domestic mobility and immigration, intensified urbanization, changing urban governance, and growing foreign encroachment. By privileging migrants' prosaic lives, Seeking Bread and Fortune in Port Said shows how unevenness and inequality laid the groundwork for the Suez Canal's making.
Food and Foodways of Medieval Cairenes
As a corpus-based study which aims at profiling the food culture of medieval Cairo, the book is an attempt to reconstruct the menu of Cairenes as well as their various daily practices, customs and habits related to food and eating.
Egypt and the Eastern Mediterranean World
During the period 500–1000 CE Egypt was successively part of the Byzantine, Persian and Islamic empires. All kinds of events, developments and processes occurred that would greatly affect its history and that of the eastern Mediterranean in general. This is the first volume to map Egypt's position in the Mediterranean during this period. Drawing on a wide range of disciplines, the individual chapters detail its connections with imperial and scholarly centres, its role in cross-regional trade networks, and its participation in Mediterranean and Near Eastern cultural developments, including their impact on its own literary and material production. With unparalleled detail, the book tracks the mechanisms and structures through which Egypt connected politically, economically and culturally to the world surrounding it.
