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George William Evans discovered the Macquarie and the Lachlan Rivers.
This book is a demonstration of the richness, worth and vitality of Australian documentary record. At the same time, it is an introduction to collecting Australiana for those who, if not already bitten by the book bug, have been dangerously exposed to it. Readers who are immune to the attractions of collecting but who value our past and its books will also find something to interest them in the following pages.
This immaculately and painstakingly researched book, through its biographies of Oxley, Evans, Fraser and Harris explains the impulses that drove these men to explore and map the colony, to collect, identify and categorise its flora. But it succeeds in doing more than that because it also elucidates the motivations that drove them to become colonial entrepreneurs, farmers and businessmen, who in the pursuit of individual wealth advanced colonial prosperity. This important book makes an invaluable contribution to our understanding of Australia's European origins. - Emeritus Professor Richard Waterhouse
p.11-25; Description of appearance of original population; relationships with colonists and sealers; native women; Brief notes on foods, tatooing, rafts, weapons, canoes; Quotes early writers.
The World Upside Down: Australia 1788-1830 draws on the National Library of Australia’s collections to explore some of the many fascinating aspects of life and art in colonial Australia.
Although the once-fuzzy outlines of the global map had largely been defined by the 19th century, much had yet to be learned. As some explorers continued to search either for resources or for unknown regions, others increasingly embraced a new kind of discoverythat of scientific knowledge. Readers will journey alongside a host of notable explorers, accompanying Lewis and Clark on their famous expeditionduring which they both charted much of the United States and identified 178 new plantsand marvelling at Charles Darwins revolutionary findings in the Galapagos Islands. Their explorations and many others are chronicled within these pages.
This true life adventure story is the saga of four ordinary Englishmen—a pair of banished, first-time petty thieves and a couple chosen to be settlers—who charted a course that led them to help build and mould an infant country on the remotest continent in the known world. Two of their offspring united to continue the adventure. Vivid first-hand accounts have been pried from the daily, hand-written journals and writings of first-class passengers, crew, and one of the convicts aboard the small wooden sailing ships, as they battled winter storms on the treacherous North Atlantic and Southern Oceans and endured scorching doldrums in the equatorial region. Mutinies, inventions, discoveries, ...
This book tells a compelling story about invasion, settler colonialism, and an emergent sense of identity in place, as seen through topographical and landscape images by seven fascinating artists. Their ways of imagining the Vandemonian landscape are part of a much larger story about how aesthetic forces shaped empire and colony, place and migration, and people’s lives. They remain intriguing through-lines of global significance and local meaning.