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THE STORY: Hurston's evocative prose and Wolfe's unique theatrical style blend to create an evening of theatre that celebrates the human spirit's ability to overcome and endure. Utilizing the blues, choral narrative and dance, the three tales focus
Wolfe's History, by the author of Finding Bix (2017), wraps its arms around a single, sprawling Irish and American family. In an opening essay, Wolfe introduces a cast of larger-than-life characters-from an Old West barkeep and a Gold Rush pharmacist to an IRA fugitive and a British recruit whose loyalties are tested during the Easter Rising. Together these fast-talking, writerly cousins live intricate lives that move quickly between past and present-complete with periodic and sudden outbursts of violence. A man is set ablaze on the prairie. A Jesuit is tortured in Dublin Castle. In the author's sure hands, their stories are converted into something broader and more searching than just a single family's journey. He wonders what binds the Wolfes together in the first place and whether the experiences of his own immediate family subvert the connections he feels with his ancestors. A biographical dictionary and fifty pages of family trees complete this impressive volume.
Eleven sketches, "exhibits" in the Colored Museum, offer a humorous and irreverent look at slavery, Black cuisine, soldiers, family life, performers, and parties.
The most trustworthy source of information available today on savings and investments, taxes, money management, home ownership and many other personal finance topics.
Taking its cue from Eugene O'Neill's questioning of «faithful realism», voiced by Edmund Tyrone in Long Day's Journey into Night, this book examines the distant legacy of the Irish American playwright in contemporary multiethnic drama in the U.S. It explores the labyrinth of formal devices through which African American, Latina/o, First Nations, and Asian American dramatists have unconsciously reinterpreted O'Neill's questioning of mimesis. In their works, hybridizations of stage realism function as aesthetic celebrations of the spiritual potentialities of cultural in-betweenness. This volume provides detailed analyses of over forty plays authored by such key artists as August Wilson, Suzan-Lori Parks, José Rivera, Cherríe Moraga, Hanay Geiogamah, Diane Glancy, David Henry Hwang, and Chay Yew, to give only a few prominent examples. All in all, Labyrinth of Hybridities invites its readers to reassess the cross-cultural patterns characterizing the history of twentieth century American drama.
First published in 1975, Liberty’s is the biography of a shop and its various owners in London. Responding to the social pressures, class patterns, and governmental policies, the developments in the shop mimic the social changes taking place in London. It is affected by war and depressions, by trade booms and enemy bombs, by changes in fashions and taste. Liberty’s not only reflected these changes but also contributed to the artistic movements and the development of fashionable taste. This book will be of interest to students of history, fashion and sociology.
Hoosiers witness their share of human darkness. Stoner delves into this dark side with a look at the most heinous murders that have taken place in each of Indiana's 92 counties.
These stories, based on Cherokee history, folklore, and experience, reflect the depth of historical experience, as well as the range of contemporary life and values of this enduring Native American people
With warmth and humor, tuba virtuoso Harvey Phillips tells the story of his amazing life and career from his Missouri childhood through his days as a performer with the King Brothers and the Ringling Bros. and Barnum & Bailey circuses, his training at the Juilliard School, a stint with the US Army Field Band, and his freelance days with the New York City Opera and Ballet. A founder of the New York Brass Quintet, Phillips served as vice president of the New England Conservatory of Music and became Distinguished Professor of Music at Indiana University. The creator of an industry of TubaChristmases, Octubafests, and TubaSantas, he crusaded for recognition of the tuba as a serious musical instrument, commissioning more than 200 works. Enhanced by an extensive gallery of photographs, Mr. Tuba conveys Phillips's playful zest for life while documenting his important musical legacy.