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Also includes information on anarcho-syndicalism, Michael Bakunin, Bakuninism, Louis-Auguste Blanqui, Blanquism, Paul Brousse, Carlo Cafiero, Guiseppe Fanelli, Sebastien Faure, Mohandas Gandhi, Giuseppe Garibaldi, William Godwin, Emma Goldman, James Guillaume, Peter Kropotkin, Errico Malatesta, Karl Marx, Marxism, Guiseppe Mazzini, William Morris, pacifism, Pierre-Joseph Proudhon, Elisee Reclus, Spanish Civil War, Max Stirner, Leo Tolstoy, utopias and utopianism, Gerrard Winstanley, etc.
There is so much more to Orwell than just his books, impressive though they are.
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For the student and general reader.
The author of four truly important novels--The Recognitions in 1955, J R in 1975, Carpenter's Gothic in 1985, and A Frolic of His Own in 1995--William Gaddis is considered by many literary scholars to be one of the most outstanding novelists of the twentieth century, to be spoken of in the same breath as James Joyce, Robert Musil, and Thomas Pynchon. Hints and Guesses: William Gaddis's Fiction of Longing is the first scholarly work to discuss all four Gaddis novels. While not dismissing the inclination of many scholars to view Gaddis's fiction as postmodern, Christopher Knight moves critical response in another direction, toward a discussion of Gaddis's significance as a satirist and social critic. Knight investigates Gaddis's predominant thematic interests, including those of contemporary aesthetics, Flemish painting, forgery, corporate America, Third World politics, and the U.S. legal system. What Knight finds is an author not only acutely sensitive to post-war social realities but also one whose critique carries with it an implied utopian dimension.
In this companion volume to his introduction to Canadian fiction, George Woodcock discusses Canada's major poets, from Archibald Lampman and D. C. Scott to Leonard Cohen and Margaret Atwood. Woodcock indicates his own admiration for particular writers, and his reasons for paying less attention to others. Each volume is written in the fluid, intelligible style for which Woodcock is so well known, and provides snapshot views of Canadian poetry from the beginning of literature to contemporary times.
Who killed the British Empire? Why did history's largest imperial system collapse dramatically in the years following the Second World War? In this book, George Woodcock seeks to uncover the conspiracy of human wills and impersonal circumstances that brought the Second British Empire to its sudden end. The book opens in 1930with the Empire at the point of its greatest expansion. Unexpectedly, three events in that year were to have a cataclysmic effect and start the Empire on an irreversible decline --Gandhi's Salt March, the surrender of Weihaiwei to the Chinese nationalists, and the negotiations leading to the Statute of Westminster, in which Canada was the leading advocate of dominion prog...
This intellectual biography defines the collocation of beliefs and concerns at the heart of George Woodcock's eclectic and prolific works. A confluence of anarchist principles and Romantic assumptions is found to run throughout his oeuvre , informing not only his polemical intentions but also his approaches to the writing of biographies, social histories, and literary criticism. The formation of these central ideas during the thirties and forties in England, under the influences of Aldous Huxley, Herbert Read, Marie Louise Berneri, and George Orwell, is treated in detail. Attention is given to the emotional context of Woodcock's beliefs, from the apocalyptic forebodings of the Great Depressi...
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Published on the occasion of George Woodcock's 80th birthday, the essays collected here show that anarchism is as relevant in our age of collapsing nation states and ecological activism as it was in 1848.[political][history]