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General Catalogue
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The Chateau of Illusions
The beautiful white limestone Château of Lusone, designed and built by the Picards, once proud Cognac producers, has fallen into the hands of the aristocratic Duplessis family. The mysteries of the château are the poignant backdrop to an unfolding story of two families, each new generation becoming entwined in a web of intrigue, love, revenge and redemption.The Château of Illusions moves from south west France to Paris, London and back to France again, telling the story of Thérèse Picard and her relationships with the two Duplessis brothers, Roland and François. From blissful pre-war summers to heartache and heroism during World War 2, her journey from wilful youth to brave adult is swift and painful. As the saga sweeps forward through the extravagant 1960s and into the 1980s an extraordinary work of art is discovered, and hidden secrets are exposed. As the 40th anniversary of VE Day approaches, a series of dramatic revelations lead to unforeseen twists of fate for both families.
Jean-Antoine Houdon
Jean-Antoine Houdon (1741-1826) has long been recognized as the greatest European portrait sculptor of the late eighteenth century, flourishing during both the American and French Revolutions as well as during the Directoire and Empire in France. Whether sculpting a head of state, an intellectual, or a young child, Houdon had an uncanny ability to capture the essence of his subject with a characteristic pose or expression. Yet until now, Houdon's exquisite sculptures have never been the subject of a major exhibition. This lavish exhibition catalogue will immediately take its rightful place as the definitive work on Houdon. With more than one hundred color plates and two hundred black and whi...
Artists' Things
Histories of artists’ personal possessions shed new light on the lives of their owners. Artists are makers of things. Yet, it is a measure of the disembodied manner in which we generally think about artists that we rarely consider the everyday items they own. This innovative book looks at objects that once belonged to artists, revealing not only the fabric of the eighteenth-century art world in France but also unfamiliar—and sometimes unexpected—insights into the individuals who populated it, including Jean-Antoine Watteau, François Boucher, Jean-Baptiste Greuze, and Elisabeth Vigée-LeBrun. From the curious to the mundane, from the useful to the symbolic, these items have one thing i...
