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Georges-Emmanuel Clancier, passager du siècle
Réunit une trentaine de contributions évoquant tant le parcours du romancier, ses formations et ses rencontres que ses caractéristiques narratives, les référents romanesques de ses écrits et les motivations et motifs de sa poésie.
Georges-Emmanuel Clancier, de la terre natale aux terres d'écriture
Cet ouvrage suit Georges-Emmanuel Clancier dans son itinéraire depuis son enfance limousine où les récits de sa grand-mère lui inspirèrent le ¤¤Pain noir¤¤, au début de sa carrière de journaliste, jusqu'à Paris où il sera responsable des comités de programmes à la télévision.
In the Flesh of the Text
This closely focused study of the inner movements, dynamic tensions and tactile richness of an intensely sensual but deeply searching poetry, is the first full-length monograph devoted to one of France’s foremost contemporary woman poets. Marie-Claire Bancquart’s work explores, primarily through the vulnerabilities and sensitivities of the body (hence this book’s ‘carnal’ title), the possibility of releasing a cry: a salvation of language and spirit from indifference, abstraction and dehumanisation, a celebration of a moment’s reunion with the recreative vitality of the physical universe, an act of love in its most private yet cosmic expression. Bancquart has described her langua...
The Rules of Art
Written with verve and intensity (and a good bit of wordplay), this is the long-awaited study of Flaubert and the modern literary field that constitutes the definitive work on the sociology of art by one of the worlds leading social theorists. Drawing upon the history of literature and art from the mid-nineteenth century to the present, Bourdieu develops an original theory of art conceived as an autonomous value. He argues powerfully against those who refuse to acknowledge the interconnection between art and the structures of social relations within which it is produced and received. As Bourdieu shows, arts new autonomy is one such structure, which complicates but does not eliminate the interconnection. The literary universe as we know it today took shape in the nineteenth century as a space set apart from the approved academies of the state. No one could any longer dictate what ought to be written or decree the canons of good taste. Recognition and consecration were produced in and through the struggle in which writers, critics, and publishers confronted one another.
Welcome to the Free Zone
Critically acclaimed when first published in France in 1946, and now in a new translation, this is a lightly fictionalized account of a true story of a Jewish family's desperate attempts to lie low in a Nazi-dominated World War II France Having emigrated from Budapest and Warsaw respectively, Nathalie and Ladislas Gara originally came to Paris to seek the university educations that their Jewish religion barred them from in their home countries. However, in 1940, they found themselves once again fleeing from persecution, this time at the hands of the fledgling Vichy regime in France. The couple, with their daughter Claire, were among a group that eventually found precarious shelter in a villa...
Women, Work and Family
Women, Work and Family is a classic of women's history and is still the only text on the history of women's work in England and France, providing an excellent introduction to the changing status of women from 1750 to the present.
Harmony and the Music of the Spheres
In the ninth century, Martianus Capella's De nuptiis Philologiae et Mercurii, a late-antique encyclopedia of ancient learning on the seven Liberal Arts, was read with scrupulous vigour by the intellectual elite. Carolingian scholars produced a wealth of commentaries and glosses, which survived hidden in the margins of a remarkably large number of manuscripts. In the first part of the book, the manuscript tradition of the oldest commentary is taken under scrutiny, and the Carolingian reception of ancient knowledge on the subject of music is opened up and analyzed. Its relevance for the formation of a new, medieval music theory is evaluated. In the second part, the relevant parts of the oldest commentary are edited on the basis of eight ninth-century manuscripts.
The Other Book
An examination of the relationship between a text and its "other" forms--translation, manuscript, critical edition, copy--and what can be gleaned from this textual interplay.
French XX Bibliography
This annual French XX Bibliography provides the most complete listing available of books, articles, and book reviews concerned with French literature since 1885. Unique in its scope, thoroughness, and reliability of information, it has become an essential reference source in the study of modern French literature and culture. The bibliography is divided into three major divisions: general studies, author subjects (arranged alphabetically), and cinema. Number 59 in the series contains 12,703 entries. William J. Thompson is Associate Professor of French and Undergraduate and Interdisciplinary Programs in the College of Arts and Sciences at the University of Memphis.
