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The Codex and Crafts in Late Antiquity
  • Language: en

The Codex and Crafts in Late Antiquity

  • Type: Book
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  • Published: 2018
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  • Publisher: Unknown

The innovation of the codex in late antiquity -- The wooden tablet codex -- The single gathering codex -- The multigathering codex : an introduction -- Sewing the gatherings -- Boards and their attachment -- Spine linings -- Endbands -- Covers and their decoration -- Fastenings -- Bookmarks and board corner straps

Conserving Active Matter
  • Language: en
  • Pages: 400

Conserving Active Matter

  • Categories: Art

Considers the future of conservation and its connection to the human sciences. This volume brings together the findings from a five-year research project that seeks to reimagine the relationship between conservation knowledge and the humanistic study of the material world. The project, "Cultures of Conservation," was supported by the Andrew W. Mellon Foundation and included events, seminars, and an artist-in-residence. The effort to conserve things amid change is part of the human struggle with the nature of matter. For as long as people have made things and kept things, they have also cared for and repaired them. Today, conservators use a variety of tools and categories developed over the last one hundred and fifty years to do this work, but in the coming decades, new kinds of materials and a new scale of change will pose unprecedented challenges. Looking ahead to this moment from the perspectives of history, philosophy, materials science, and anthropology, this volume explores new possibilities for both conservation and the humanities in the rethinking of active matter.

Conservation of Books
  • Language: en
  • Pages: 893

Conservation of Books

  • Categories: Art

Conservation of Books is the highly anticipated reference work on global book structures and their conservation, offering the first modern, comprehensive overview on this subject. The volume takes an international approach to its subject. Written by over 70 specialists in conservation and conservation science based in 19 countries, its 26 chapters cover traditional book structures from around the world, the materials from which they are made and how they degrade, and how to preserve and conserve them. It also examines the theoretical underpinnings of conservation: what and how to treat, and the ethical, cultural, and economic implications of treatment. Technical drawings and photographs illu...

Tied and Bound: a Comparative View on Manuscript Binding
  • Language: en
  • Pages: 396

Tied and Bound: a Comparative View on Manuscript Binding

The present volume contains twelve chapters authored by specialists of Asian, African and European manuscript cultures reflecting on the cohesion of written artefacts, particularly manuscripts. Assuming that 'codicological units' exist in every manuscript culture and that they are usually composed of discrete elements (such as clay tablets, papyrus sheets, bamboo slips, parchment bifolios, palm leaves), the issue of the cohesion of the constituents is a general one. The volume presents a series of case studies on devices and strategies adopted to achieve this cohesion by manuscript cultures distant in space (from China to West Africa) and time (from the third millennium bce to the present). ...

Bibliophobia
  • Language: en
  • Pages: 591

Bibliophobia

Richly illustrated with manuscripts, printed objects, and art works, Bibliophobia tells a 5000-year history of writing and of books to give readers a fascinating account of why books matter and how they impact on our lives.

Bookforms
  • Language: en
  • Pages: 179

Bookforms

Brought to you by the instructors at the Center for Book Arts, Bookforms is a comprehensive guide for making books by hand with a focus on functionality in design. Written by the experts at the Center for Book Arts in New York, Bookforms presents all the instruction you need to craft by hand a comprehensive array of historic bookbinding styles from all over the world. Bookforms traces the functional roots of each structure, explains their appropriateness for various uses, and provides projects for making an essential structure for each style of binding. Topics covered include: Why books work: General bookbinding principles for functionality and what we can learn from the past What you need to know for planning a special book or embarking on an edition How materials affect function Bookforms tackles a wide range of projects for all levels of bookbinders. You'll see everything from sewn and ticketed blank books and traditional western codex book forms, to scrapbooks and albums, Asian stab-sewn bindings, unusual structures, and aesthetics/embellishments. What better time to dive into this venerable and unique hobby than now?

Words Are Not Enough
  • Language: en
  • Pages: 236

Words Are Not Enough

An innovative study of the manuscript history of the New Testament, encompassing its paratexts—titles, cross-references, prefaces, marginalia, and more. How did the Christian scriptures come to be? In Words Are Not Enough, Garrick V. Allen argues that our exploration of the New Testament's origins must take account of more than just the text on the page. Where did the titles, verses, and chapters come from? Why do these extras, the paratexts, matter? Allen traces the manuscript history of scripture from our earliest extant texts through the Middle Ages to illuminate the origins of the printed Bibles we have today. Allen’s research encompasses formatting, titles, prefaces, subscriptions, ...

Traces of Ink
  • Language: en
  • Pages: 215

Traces of Ink

  • Type: Book
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  • Published: 2021-02-22
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  • Publisher: BRILL

Traces of Ink. Experiences of Philology and Replication is a collection of original papers exploring the textual and material aspects of inks and ink-making in a number of premodern cultures (Babylonia, the Graeco-Roman world, the Syriac milieu and the Arabo-Islamic tradition). The volume proposes a fresh and interdisciplinary approach to the study of technical traditions, in which new results can be achieved thanks to the close collaboration between philologists and scientists. Replication represents a crucial meeting point between these two parties: a properly edited text informs the experts in the laboratory who, in turn, may shed light on many aspects of the text by recreating the material reality behind it. Contributors are: Miriam Blanco Cesteros, Michele Cammarosano, Claudia Colini, Vincenzo Damiani, Sara Fani, Matteo Martelli, Ira Rabin, Lucia Raggetti, and Katja Weirauch.

Illuminating the Word in the Early Middle Ages
  • Language: en
  • Pages: 589

Illuminating the Word in the Early Middle Ages

This richly illustrated study addresses the essential first steps in the development of the new phenomenon of the illuminated book, which innovatively introduced colourful large letters and ornamental frames as guides for the reader's access to the text. Tracing their surprising origins within late Roman reading practices, Lawrence Nees shows how these decorative features stand as ancestors to features of printed and electronic books we take for granted today, including font choice, word spacing, punctuation and sentence capitalisation. Two hundred photographs, nearly all in colour, illustrate and document the decisive change in design from ancient to medieval books. Featuring an extended discussion of the importance of race and ethnicity in twentieth-century historiography, this book argues that the first steps in the development of this new style of book were taken on the European continent within classical practices of reading and writing, and not as, usually presented, among the non-Roman 'barbarians'.

Lumen
  • Language: en
  • Pages: 274

Lumen

  • Categories: Art

Sumptuously illustrated with dazzling objects, this publication explores the ways art and science worked hand in hand in the Middle Ages and Renaissance. Through the manipulation of materials, such as gold, crystal, and glass, medieval artists created dazzling light-filled environments, evoking, in the everyday world, the layered realms of the divine. While contemporary society separates science and spirituality, the medieval world harnessed the science of light to better perceive and understand the sacred. From 800 to 1600, the study of astronomy, geometry, and optics emerged as a framework that was utilized by theologians and artists to comprehend both the sacred realm and the natural worl...