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How does artistic practice lead to the production of knowledge? How does, in turn, artistic knowledge relate to its material base? How does contingent materiality guide the artist towards finding form and developing a statement? This volume is dedicated to the object as a process in order to offer new insights into the ways the object - broadly construed, comprising digital and other non-classical objects - becomes an active element in artistic practice.
In this book, the editors focus on architecture and communication from various different perspectives – taking into account that the term “architecture” is used for buildings as well as in the context of computer software. Data and software also impact on our cities; raw data, however, do not convey any information – in order to generate information and communication they have to be organized and must make sense to the reader. The contributions avoid clear separation of the various communication spheres of their disciplines. Instead, they use the wide range of approaches to explore meanings – an ambitious aim that leaves the destination wide open; the reader is invited to share in this adventure.
25 years after the publication of Derrida's Politics of Friendship (Politiques de l'amitié, 1994), this edited collection gathers 23 critical chapters that revisit this underappreciated text. Engaging closely with Derrida's text, the contributors analyse, extend and critique the work. They reconsider the place this book occupies in Derrida's political philosophy and its potential for contemporary politics, when the promises and perils of political friendship have reappeared.
Un)timely Crises explores how ‘crisis’—as a narrative, concept, grammar, and experience—structures time and space. This collectively written volume extends Bakhtin’s ‘chronotope’ to challenge mobilizations of crisis within neoliberal governmentality. The book explores how contemporary crises can trigger memories and traumas of earlier events as well as foster practices of resistance and alternative visions of the future. Drawing from across disciplines and geographical contexts, (Un)timely Crises reimagines the relation of ‘crisis’ with ‘critique’, proposing future trajectories for thinking and living in and through crisis.
This book reconstructs Heidegger’s philosophy of time by reading his work with and against a series of key interlocutors that he nominates as being central to his own critical history of time. In doing so, it explains what makes time of such significance for Heidegger and argues that Heidegger can contribute to contemporary debates in the philosophy of time. Time is a central concern for Heidegger, yet his thinking on the subject is fragmented, making it difficult to grasp its depth, complexity, and promise. Heidegger traces out a history that focuses on the conceptualisations of time put forward by Aristotle, Plotinus, Augustine, Kant, Hegel, Bergson, and Husserl – an “alternative his...
In his 1979 essay The Postmodern Condition: A Report on Knowledge philosopher Jean-François Lyotard noted that the advent of the computer opened up a stage of progress in which knowledge has become a commodity. Modernity and postmodernity appear as two stages of a process resulting from the conflict of science and narrative. As science attempts to distance itself from narrative, it must create its own legitimacy. This paper takes up this challenge with a focus on the question of imagery. The image is precisely what modern science seeks to free itself from in its quest for absolute transparency. This transparency is examined from the perspective of architecture, drawing on arguments from philosophy, quantum mechanics, theology and information theory. Natural science in the context of postmodernism Quantum mechanics and information theory New volume in the Applied Virtuality Book Series
This book brings together papers that employ postfoundational theory to critically investigate the social, political, economic and ecological dynamics and power structures that shaped Western democracies, non-Western societies and international politics during the COVID-19 pandemic. The COVID-19 pandemic disrupted not only social relations and personal lives across the globe, but also the landscape of postfoundational theory. Giorgio Agamben, one of its most prominent figures, attracted harsh criticism for his suggestion that the pandemic was nothing but an invented tool of state power. In the face of a collectively experienced emergency, it seemed tempting to forgo critical questioning in f...
Honouring the memory of the late Bernard Stiegler, this edited collection presents a broad spectrum of contributions that provide a complex and coherently articulated image of Stiegler's thought which reached beyond the boundaries of academic, artistic and experimental techno-scientific enclaves where it had been originally received. Stiegler's philosophical work encompassed theorization, social diagnosis, planning, practical and territorial experimentation, politics, and aesthetics. In its wake, the essays in this volume celebrate and explore the wealth of this multi-dimensional legacy. They examine the conditions of human life in general, its foundational intermittence, and carry forward Stiegler's post-phenomenological unfolding of the distinctive spatio-temporalities that weave together the epoch we call 'present'. Engaging closely with Stiegler's original impetus for the creation of technologies of care, as well as of communities of knowledge and artistic practice,
The Russian aggression in Ukraine, culminated in its invasion on 24 February 2022, has left friend nor foe untouched and continues to shock the international philosophical community. In order to offer a wide range of perspectives on this predicament that affects each and every one of us, the present volume brings together ten philosophers – from France to Georgia, from students to professionals and professors – who shed different lights on the war. They have been asked to express themselves parrhesiastically, in other words to speak boldly, putting themselves on the line, from their personal aim at the truth and for the common good, therefore in the form of essays rather than standard scientific articles.
In The Digital, a Continent?, the author argues in favor of a way of thinking about digital technology that draws on the new materialism. She uses photosynthesis and nuclear fission as examples of processes that are as artificial as they are natural to explain how digital technology can be viewed within the paradigm of a "communicative physics" in which poetics interacts with mathematical thinking. The author concludes that we can better understand ourselves and digital technology by developing notions of the multifaceted ways energy, form, and intellect interact in global architectonics. Theoretical consideration of digital technology Visual language and science New volume in the Applied Virtuality Book Series