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Auctor Ludens
This is a book about play practice rather than play theory. Of course, practice presupposes theory, but here the editors choose to keep general theoretical assumptions under cover rather then force them into explicitness. The contributors to this volume were given free rein to discuss whatsoever aspect of literary play caught their fancy. The absence of a predetermined theoretical framework has resulted in an idiosyntractic volume on the different forms of play.
The Guinness Book of Animal Facts and Feats
Presenting new information and trivia, this encyclopedic reference covers the entire range of the animal kingdom, from prehistoric creatures and primitive animals to complex mammals
Here and Elsewhere
Through the essays included in this text we can attest to Gerald Guiness' stature as an intelligent, innovative & specially graceful critic as he presents topics which might have seemed too current in the hands of any other commentator. Some of the titles of the essays present a suggestive sample of the books appeal: CONTEMPORARY PUERTO RICAN FICTION: AN OUTSIDER'S VIEW; "WHAT DID HE SAY, WHAT DID HE MEAN" THE ETHNOGRAPHY OF DISCOURSE IN PUERTO RICO.
"The Covers of this Book are Too Far Apart"
Verzameling boekrecencies over Caribische literatuur die Gerald Guinness tussen 1977 en 1998 schreef voor de krant San Juan star.
Playtexts
Not hubris but the ever self-renewing impulse to play calls new worlds into being. NietzscheParents and politicians have always taken play seriously. Its formative powers, its focus, its energy, and its ability to signify other things have drawn the attention of writers from Plato and Schiller to Wittgenstein, Nabokov, and Eco. The ease with which an election becomes perceived as a race, a political crisis as a football game, or an argument as a tennis match readily proves how much play means to contemporary life. Just how play confers meaning, however, is best revealed in literature, where meaning is perpetually at stake. At stake itself, the risk of a gamble, is only one intersection betwe...
Fiction Now
Fiction Now reports on the current states of the novel in France, taking a series of soundings within the compass of innovative French writing since 2001. Chapters focus closely upon Jean Echenoz, Marie Redonnet, Christian Gailly, Lydie Salvayre, Gérard Gavarry, Hélène Lenoir, Patrick Lapeyre, and Christine Montalbetti. Each of the authors invoked exemplified in his or her work a different set of strategies, concerns, and approaches: one of them transposes the Book of Judith to the Parisian suburbs; another imagines the most taciturn of cowboys in the American West; still another goes well beyond death, into the afterlife of a concert pianist. Despite their diversity of theme and technique, these writers share a will to make French fiction new, and demonstrate compellingly that the novel as it is practiced in France today is an extremely vigorous, deeply enthralling, and richly plural cultural form.
Latin American Women Dramatists
“This thoughtfully crafted . . . insightful and informative [anthology] elucidates an overlooked, essential component of the Latin American literary canon” (Choice). Latin American Women Dramatists sheds much-needed light on the significant contributions made by these pioneering authors during the last half of the twentieth century. Contributors discuss fifteen works of Latin-American playwrights, delineate the artistic lives of women dramatists from countries as diverse as Argentina, Brazil, Chile, Mexico, Puerto Rico, and Venezuela. Looking at these writers and their work from political, historical, and feminist perspectives, this anthology also underscores the problems inherent in writing under repressive governments. “The book highlights the many possibilities of the innovative work of these dramatists, and this will, it is to be hoped, help the editors to achieve one of their other key goals: productions of the plays in English.” —Times Literary Supplement, UK
The Pathology of the English Renaissance: Sacred Remains and Holy Ghosts
This examination of the fate of lost ideas after the Protestant reformation explores what might be called the pathology of the Renaissance. The first part of the book treats Spenser's Faerie Queene and Milton's Paradise Lost, concentrating on vacant cultural spaces and abandoned icons to trace the gap between sacred and secular life, between poetry and belief. The second part focuses on Shakespeare's Hamlet and Elizabeth Cary's Tragedy of Mariam to investigate the eschatological implications of this gap, the ways that history is disentangled from memory and nostalgia severed from experience. The book challenges readings of Renaissance culture as an increasingly secular one, proposing that sacred symbols and practices still powerfully organized the English moral imagination, oriented behaviors and arranged perceptions, and specified the limits of the known world.
The Dramatic Works of Samuel Beckett
A selectively comprehensive bibliography of the vast literature about Samuel Beckett's dramatic works, arranged for the efficient and convenient use of scholars on all levels.
Raising the Living Dead
An eye-opening look at how incarcerated people, health professionals, and others behind and beyond bars came together to problem-solve incarceration. Raising the Living Dead is a history of Puerto Rico’s carceral rehabilitation system that brings to life the interactions of incarcerated people, their wider social networks, and health care professionals. Alberto Ortiz Díaz describes the ways that multiple communities of care came together both inside and outside of prisons to imagine and enact solution-oriented cultures of rehabilitation from the 1930s to the 1960s. Scientific and humanistic approaches to well-being were deliberately fused to raise the “living dead,” an expression that...
