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Documents the events leading up to and following the assassination of the thirty-fifth president as revealed by the Secret Service agents who were present, in an account that also draws on letters written by Jackie Kennedy in the immediate aftermath and other previously undisclosed sources.
Explores how living in Paris shaped the literary works of five expatriate Americans: Gertrude Stein, Ernest Hemingway, Henry Miller, F. Scott Fitzgerald and Djuna Barnes. The book treats these figures and their works as instances of the effect of place on writing and the formation of the self.
DIVOffers 57 diverse sermons preached in Duke Chapel by such notable figures as Billy Graham, Paul Tillich, and Barbara Brown Taylor and a fascinating analysis of the acoustic and visual challenges of preaching and listening at Duke Chapel./div
Publisher Description (unedited publisher data) Eleven specially-commissioned essays by major Fitzgerald scholars present a clearly written and comprehensive assessment of F. Scott Fitzgerald as a writer and as a public and private figure. No aspect of his career is overlooked, from his first novel published in 1920, through his more than 170 short stories, to his last unfinished Hollywood novel. Contributions present the reader with a full and accessible picture of the background of American social and cultural change in the early decades of the twentieth century. The introduction traces Fitzgerald's career as a literary and public figure, and examines the extent to which public recognition has affected his reputation among scholars, critics, and general readers over the past sixty years. This is the only volume that offers undergraduates, graduates and general readers a full account of Fitzgerald's work as well as suggestions for further exploration of his work. Library of Congress subject headings for this publication: Fitzgerald, F, Scott (Francis Scott), 1896-1940 Criticism and interpretation Handbooks, manuals, etc.
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Lacey Everhart is a smart, successful attorney who seems to have everything going her way right on schedule in her professional life. Her personal life, on the other hand, had been dull and uneventful since her breakup with the handsome police officer she met on a case. Without her best friend Kennedy, Lacey is certain she would have almost no life at all. Kennedy is the flame to which everyone and everything seems to be attracted, and Lacey simply basks in her glow. Now suddenly her life was spinning out of control: her father, who had abandoned her as a child, wants to reunite; her free-willing best friend now wants to settle down; her ex-boyfriend wants back into her life; and suddenly Lacey's found that she has developed feelings for her sexy arch enemy, Martin Harrison. In all of Lacey's relationships, her workaholic demeanor, beliefs and faith often clash with her needs and desires. Could this self-proclaimed wallflower find and keep love without losing herself?
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The nine essays gathered here pursue the provocative implications of Toni Morrison's claim that no early American writer was more important than Poe in shaping a concept of "American Africanism," an image of racialized blackness destined to haunt the Euro-American imagination. As contributors to this volume reveal, Poe's response to the "shadow" of blackness--like his participation in the cultural construction of whiteness--was both problematic and revealing. Born in Boston but raised mostly in Richmond, surrounded by the practices of slaveholding culture, Poe seems to have shared notions of racial hierarchy and Anglo-Saxon supremacy pervasive on both sides of the Mason-Dixon line. That he p...
Thomas Strychacz challenges the traditional wisdom that Hemingway fashions a quintessentially masculine style that promotes an ideal of stoic, independent manhood, arguing instead that Hemingway's fiction poses masculinity as a theatrical performance.