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The comedians of the 1950s and 1960s were a totally different breed of relevant, revolutionary performer from any that came before or after, comics whose humor did much more than pry guffaws out of audiences. Gerald Nachman presents the stories of the groundbreaking comedy stars of those years, each one a cultural harbinger: • Mort Sahl, of a new political cynicism • Lenny Bruce, of the sexual, drug, and language revolution • Dick Gregory, of racial unrest • Bill Cosby and Godfrey Cambridge, of racial harmony • Phyllis Diller, of housewifely complaint • Mike Nichols & Elaine May and Woody Allen, of self-analytical angst and a rearrangement of male-female relations • Stan Freber...
Radio broadcasting United States History.
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Before the advent of cable and its hundreds of channels, before iPods and the Internet, three television networks ruled America's evenings. And for twenty-three years, Ed Sullivan, the Broadway gossip columnist turned awkward emcee, ruled Sunday nights. It was Sullivan's genius to take a worn-out stage genre-vaudeville-and transform it into the TV variety show, a format that was to dominate for decades. Right Here on Our Stage Tonight! tells the complete saga of The Ed Sullivan Show and, through the voices of some 60 stars interviewed for the book, brings to life the most beloved, diverse, multi-cultural, and influential variety hour ever to air. Gerald Nachman takes us through those years, ...
New Jersey 1978. 15 year old Gracie Bowen is still reeling from the death in a car accident of her brother Johnny, a star player on the high school soccer team. When Gracie defies nearly everyone's wishes by vowing to replace Johnny under the aegis of cantankerous Coach Colasanti, it irritates many including her parents and her best friend, Jena. Gracie persists and wins the hearts of her most strident detractors, surmounting one obstacle after another and racing toward certain victory.
"A spirited spin through some of the most intriguing factoids in show business, offering up an unconventional history of the theatre in all its idosyncratic glory. From the cantakerous retorts of George Abbott to the literally show-stopping antics of Katherine Hepburn, you'll learn about the adventures and star turns of some of Broadway's biggest personalities, and discover little-known tidbits about beloved plays and musicals."--
This is the first uncensored, unauthorized biography of a filmmaker who is to his era what Charlie Chaplin & Buster Keaton were to theirs - & the first biography to investigate all the sensitive subjects both personal & professional that Woody does not talk about.
An irreverent selection of humorous quotes, one-liners, definitions, and quips features words of wisdom from contributors ranging from Goethe to David Letterman on such topics as families, philosophy, movies and television, and education.
The period from 1925 to 1960 was the heyday of the American Radio Soap Opera. In addition to being part of popular culture, the soap opera had important commercial aspects as well that were not only related to their production, but also to the desperate need to sell products or perish. Both sides of this story are traced in this comprehensive compendium. The dictionary section, made up of more than 500 cross-referenced entries, provides brief vignettes of the more popular and also less well-known 'soaps,' among them Back Stage Wife, Our Gal Sunday, Pepper Young's Family and The Guiding Light. Other entries evoke those who brought these programs to life: the actors, announcers, scriptwriters, networks, and even the sponsors. Nor are the basic themes, the stock characters and the gimmick, forgotten. The book's introduction defines the soap opera, examines the span of the radio serial, reviews its origins and its demise, and focuses on the character types that made up its denizens. The chronology outlines the period and the bibliography offers further reading. Together, these elements make a comprehensive reference work that researchers will find invaluable long into the future.
In this work, Neil Verma applies an array of critical methods to more than 6000 recordings to produce an account of radio drama from the Depression to the Cold War.