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History, literature, religion, myth, film, psychology, theory, and daily conversation all rely heavily on narrative. Cutting across many disciplines, narratology describes and analyzes the language of narrative with its regularly recurring patterns, deeply established conventions for transmission, and interpretive codes, whether in novels, cartoons, or case studies. Indispensable to writers, critics, and scholars in many fields, A Dictionary of Narratology provides quick and reliable access to terms and concepts that are defined, illustrated, and cross-referenced. All entries are keyed to articles or books in which the terms originated or are exemplified. This revised edition contains additional entries and updates some existing ones.
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Offers perspectives on the nature of narrative and narrativity, genre theory, narrative semiotics and communication theory. This book includes contributions, which center on the specificity of literary fiction, and the chapters investigate a different dimension of narrativity with many issues dealt with in innovative ways.
Unsurpassed as a text for upper-division and beginning graduate students, Raman Selden's classic text is the liveliest, most readable and most reliable guide to contemporary literary theory. Includes applications of theory, cross-referenced to Selden's companion volume, Practicing Theory and Reading Literature.
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The Narrative Reader provides a comprehensive survey of theories of narrative from Plato to Post-Structuralism. The broad selection of texts demonstrate the extent to which narrative permeates the entire field of literature & culture
When the crack era jumped off in the 1980s, many street legends were born in a hail of gunfire. Business minded and ruthless dudes seized the opportunities afforded them, and certain individuals out of the city's five boroughs became synonymous with the definition of the new era black gangster. Drugs, murder, kidnappings, shootings, more drugs, and more murder were the rule of the day. They called it "The Game," but it was a vicious attempt to come up by any means necessary. In the late 1980s, the mindset was "get mine or be mine," and nobody embodied this attitude more than the Supreme Team.The Supreme Team has gone down in street legend and the lyrical lore of hip-hop and gangsta rap as on...
These essays engage with narratives and narrative issues, in particular on the issue of performance in and of narrative, with the telling of performance and the performance of telling, and the way stories perform gender and identity. They focus on narrative as such, on narrative genres, and on particular narratives, but they all seek to inform thinking on narrative.
O'Neill investigates the extent to which narrative discourse subverts the story it tells in foregrounding its own performance.