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The Science of God
For the readers of The Language of God, another instant classic from "a sophisticated and original scholar" (Kirkus Reviews) that disputes the idea that science is contrary to religion. In The Science of God, distinguished physicist and Biblical scholar Gerald L. Schroeder demonstrates the surprising parallels between a variety of Biblical teachings and the findings of biochemists, paleontologists, astrophysicists, and quantum physicists. In a brilliant and wide-ranging discussion of key topics that have divided science and religion—free will, the development of the universe, the origin of life, and the origin of man—Schroeder argues that the latest science and a close reading of the Bib...
Genesis and the Big Bang Theory
A ground-breaking book that takes on skeptics from both sides of the cosmological debate, arguing that science and the Bible are not at odds concerning the origin of the universe. The culmination of a physicist's thirty-five-year journey from MIT to Jerusalem, Genesis and the Big Bang presents a compelling argument that the events of the billions of years that cosmologists say followed the Big Bang and those of the first six days described in Genesis are, in fact, one and the same—identical realities described in vastly different terms. In engaging, accessible language, Dr. Schroeder reconciles the observable facts of science with the very essence of Western religion: the biblical account of Creation. Carefully reviewing and interpreting accepted scientific principles, analogous passages of Scripture, and biblical scholarship, Dr. Schroeder arrives at a conclusion so lucid that one wonders why it has taken this long in coming. The result for the reader—whether believer or skeptic, Jewish or Christian—is a totally fresh understanding of the key events in the life of the universe.
Andreas Gursky
The exhibition includes some of the artist's most well known works including Paris, Montparnasse (1993), an immense and iconic photograph showing a seemingly endless block of flats; and Rhine II (1999/2015) a sleek digitally-tweaked vision of the river as a contemporary minimalist symbol. Kamiokande (2007) featuring the vast underground water tank within the Kamioka Nucleon Decay Experiment, Japan; and May Day IV (2000/2014) depicting hundreds of revellers at Germany's long-running Mayday techno music festival. Often employing a bird's-eye perspective, these large-format pictures which rival the scale of monumental paintings boast an abundance of precisely captured details, all of which are uncannily in focus. Since the late 1980s, Gursky has depicted a broad spectrum of contemporary life including sites of commerce, industry and tourism across the globe, making pictures that draw attention to our changing relationship with the natural world and chronicle the effects of globalisation on day-to-day life.
Final Report
Aus dem Inhalt: Addresses Given at the Opening/Closing Ceremonies of the XVIIIth International Congress of History of Science: Christoph J. Scriba: The Beginnings of the International Congresses of the History of Science � Fritz Krafft: Science and Political Order / Wissenschaft und Staat � Klaus Pinkau: Science and Politics � Wolfgang Wild: The Role of the Government in the Field of Education and Society Plenary Lectures with Special Reference to the General Theme of the XVIIIth International Congresses of the History of Science �Science and Political Order / Wissenschaft und Staat�: Lewis Pyenson: Why Science May Serve Political Ends: Cultural Imperialism and the Mission to Civilize � Gerald Schr�der: Science Policy and Pharmacy in the NS Period � Caroll Pursell: Technology and Political Order in the 20th Century � Armin Hermann: Science under Foreign Rule. Policy of the Allies in Germany 1945-49 Symposia: Reports of their Organizers: Introductory Remarks by the Chairman of the Program Committee (Fritz Krafft) � Publications and Reports � A Survey of the Congress Budget (Christoph J. Scriba) Scientific Program: Final Status.
The Spiritual Language of Art: Medieval Christian Themes in Writings on Art of the Italian Renaissance
Analyzing the literature on art from the fifteenth and sixteenth centuries, The Spiritual Language of Art explores the complex relationship between visual art and spiritual experiences during the Italian Renaissance. Though scholarly research on these writings has predominantly focused on the influence of classical literature, this study reveals that Renaissance authors consistently discussed art using terms, concepts and metaphors derived from spiritual literature. By examining these texts in the light of medieval sources, greater insight is gained on the spiritual nature of the artist’s process and the reception of art. Offering a close re-readings of many important writers (Alberti, Leonardo, Vasari, etc.), this study deepens our understanding of attitudes toward art and spirituality in the Italian Renaissance.
Current Catalog
First multi-year cumulation covers six years: 1965-70.
Placing America
In »Call Me Ishmael«, Charles Olson exclaims »SPACE to be the central fact to man born in America«. Indeed, from the start, history and identity in America have been intricately tied to issues of space: from the idea of the »city upon a hill« to the transnational (soft) power of the United States, space has always served as an important parameter of power gained or lost and of the struggles to maintain or resist it. With contributions that range from the construction of America in (European) academic discourses to children's fiction, this collection provides an extensive and insightful study of how space influences our understanding of America.
The Reach of the Republic of Letters: Literary and Learned Societies in Late Medieval and Early Modern Europe (2 Vols.)
This volume questions the present-day assumption holding the Italian academies to be the model for the European literary and learned society, by juxtaposing them to other types of contemporary literary and learned associations in several Western European countries.
Spaces Between
The contributions gathered in this volume exhibit a great variety of interdisciplinary perspectives on and theoretical approaches to the notion of ‘spaces between’. They draw our attention to the nexus between the medium of comics and the categories of difference as well as identity such as gender, dis/ability, age, and ethnicity, in order to open and intensify an interdisciplinary conversation between comics studies and intersectional identity studies.
