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Bois Dormant
French-English bilingual edition. Gerard Mace's work challenges the barriers between poetry and the essay. This play between and within genres is essential to his writing - which has been called essay merveilleux - and derives from a questioning of language in its broadest sense. He is equally interested in the seductive musicality of words and in the remembered gestures which traced the hieroglyphs of Egypt and the calligraphic writing of the Far East. His fascination with dictionaries, grammars and glossaries leads him off on journeys in which the real and the imaginary are fused, but without being confused. He slips between words like a marvelling child constantly hoping that one day the ...
Photobiography
"Why do photographs interest writers, especially autobiographical writers? Ever since their invention, photographs have featured - as metaphors, as absent inspirations, and latterly as actual objects - in written texts. In autobiographical texts, their presence has raised particularly acute questions about the rivalry between these two media, their relationship to the 'real', and the nature of the constructed self. In this timely study, based on the most recent developments in the fields of photography theory, self-writing and photo-biography, Akane Kawakami offers an intriguing narrative which runs from texts containing metaphorical photographs through ekphrastic works to phototexts. Her choice of Marcel Proust, Herve Guibert, Annie Ernaux and Gerard Mace provides unusual readings of works seldom considered in this context, and teases out surprising similarities between unexpected conjunctions. Akane Kawakami is a Senior Lecturer in French and francophone literature at Birkbeck University of London."
The Last of the Egyptians
Literary Nonfiction. Translated from the French by Brian Evenson. Champollion loved the novels of Fenimore Cooper, in particular The Last of the Mohicans. Macé explores Champollion's twin interests: Egypt and "America's savage nations," his deciphering of the Rosetta stone and the Indians' deciphering of the forest. He finally follows Champollion to the Louvre where he set up the Egyptian galleries and saw Indians of the Osage tribe.
The Plant-lore & Garden-craft of Shakespeare
The Plant-Lore & Garden-Craft of Shakespeare by Henry Nicholson Ellacombe, first published in 1884, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.
God and the Universe
This is a publicity title in the light of the latest scientific discoveries Publication strongly supported by Jacques Derrida (who will provide endorsement for cover) and Martin Rees, astronomer royal Attractively illustrated throughout
Figuring the East
Examines the ambiguous constructions of the Orient in the works of four major twentieth-century French writers.
Present Pasts
This is the first in-depth study of the twelve Modiano texts specifically concerned with life-writing in autobiographical and biographical-cum-historiographical projects. The texts covered range from La Place de l'�toile(1968) through to La Petite Bijou (2001). Close textual analysis is combined with a theoretical approach based on current thinking in autobiography, biography, and reader-response. Modiano's use of autofiction and biofiction is analysed in the light of his continuing obsession with both personal trauma and History, as well as his problematic relationship with his paternally-inherited Jewish links. His view of identity (of self and other) is thus discussed in relation to a particular literary and socio-historical context- French, postmodern, post-World War II, and post-Holocaust.
