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Manifold Identities
This is a study of manifold identities focusing on music and musicology.
Voices of Identities
European history has rarely met changes as rapid, dense and radical as those that have taken place in the regions of the former Austro-Hungarian Empire over the past hundred years. This cultural area has experienced political conflicts, the setting and dissolution of borders, and the construction of similarities, differences, and ever-new identities. Being tied to text, vocal music genres reflect such changes especially strongly. Operas and operettas, oratorios and cantatas, choir music, folksongs, and pop and rock hits have all helped to establish identities in many ways, connecting people on national, ethnical, local or social levels. The contributions to this volume represent the proceedings of the Annual Congress of the Austrian Society for Musicology (Österreichische Gesellschaft für Musikwissenschaft – ÖGMw) in 2014. They open multiple perspectives on the identity-relevant implications of every kind of vocal music from the last days of the Habsburg Empire to the present day. As such, the book places the extensively discussed concept of Nationalism in music in the wider context of identity building.
Historical Sources of Ethnomusicology in Contemporary Debate
This anthology concerns traditional music and archives, and discusses their relationship as seen from historical and epistemological perspectives. Music recordings on wax cylinders, 78 records or magnetic tape, made in the first half of the 20th century, are regarded today as valuable sources for understanding musical processes in their social dimension and as unique cultural heritage. Most of these historical sound recordings are preserved in sound archives, now increasingly accessible in digital formats. Written by renowned experts, the articles here focus on archives, individual and collective memory, and heritage as today’s recreation of the past. Contributors discuss the role of historical sources of traditional music in contemporary research based on examples from music cultures in West Africa, Scandinavia, Turkey, and Portugal, among others. The book will appeal to musicologists and cultural anthropologists, as well as historians and sociologists, and will be of interest to anyone concerned with sound archives, libraries, universities and cultural institutions dedicated to traditional music.
Historical Trends in Georgian Traditional and Sacred Music
This collection provides a comprehensive review of the current state of Georgian ethnomusicology, with the accent on historical trends. It presents a tribute to Anzor Erkomaishvili, a pivotal figure in Georgian traditional music, the author of many widely known masterpieces of Georgian traditional and church-song repertoires. The steadily increasing popularity of Georgian traditional music, among both professional ethnomusicologists and lovers of choral singing, provides an urgent need for this volume.
International Forum on Audio-Visual Research Jahrbuch Des Phonogrammarchivs 5
EditorialVorwort1.BeitrageDie Videobestande des PhonogrammarchivsHedwig Kob & Katharina Thenius-WilscherFirst Migration: Up and Running Franz PavuzaDer indische Revolutionar Har Dayal und seine Tonaufnahmen von 1918 im Phonogrammarchiv der Osterreichischen Akademie der WissenschaftenUlla RemmerAfrikanische Geschichte horen? Gedanken zur Quellenkritik des TonsClemens GutlMapping "Portuguese music": the Armando Leca Collection (1939/40) Maria do Rosario Pestana2. FELDFORSCHUNGS- UND PROJEKTBERICHTQuellenkritische Anmerkungen zur Feldforschung uber griechisch-orthodoxe Osterbrauche (Olympos/Karpathos, 2.- 7. Mai 2013)Rudolf M. Brandl & Bernhard GrafAbschlussbericht des Projektes "European Acoustic Heritage"Jurgen Schopf3. RezensionenBritta Lange.2013. Die Wiener Forschungen an Kriegsgefangenen 1915-1918: Anthropologische und ethnografische Verfahren im Lager Wien: VOAW. Gabriele FroschlMarc Sinan.2013. Hasretim - Journey to Anatolia.CD/DVD. (ECM 2330/31), . Munich: ECM Records.Jurgen Schopf & Meri KytoTatigkeitsbericht des Phonogrammarchivs fur das Jahr 2013
International Forum on Audio-Visual Research Jahrbuch Des Phonogrammarchivs 6
Vorwort Preface 1. BEITRAGE Feldforschungen zu den Kalmucken und ihrer Kultur: Ziele und Inhalte eines neuen Dokumentationsorjektes Thede KAHL & Ioana NECHITI Bemerkungen zum Nahen Osten als ethnographisches Untersuchungsfeld Gebhard FARTACEK Spaces of interaction: an intersectional approach to dancing in mortuary ceremonies in Southwest Madagascar Cornelia GRUBER Hornbostel and me. Expectations towards historical recordings of the Ewondo drum language (South Cameroon) Susanne FURNISS A multi-perspective analysis of videographic data on the perfomance of spirit possession in Dominican Vodou Yvonne SCHAFFLER & Bernd BRABEC DE MORI Transferring archival research collections into the digital domain: a special challenge Christiane FENNESZ-JUHASZ & Nadja WALLASZKOVITS 2. FELDFORSCHUNGSBERICHT Digitalisierung der longitudinalen Spontansprachdaten eines Kleinkindes aus dem Raum Wien Katherina KORECHKY-KROLL 3. REZENSION Anja Brunner, Cornelia Brunner, August Schmidhofer (eds.), 2015. Transgression of a musical kind. Feschrift for Regine Allgayer-Kaufmann on the occasion of her 65th birthday. Aacher: Shaker Verlag 2015 Helmut KOWAR Tatigkeitsbericht des Phonogrammarchivs fur das Jahr 2014
