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Graphic Design and Architecture, A 20th Century History
This innovative volume is the first to provide the design student, practitioner, and educator with an invaluable comprehensive reference of visual and narrative material that illustrates and evaluates the unique and important history surrounding graphic design and architecture. Graphic Design and Architecture, A 20th Century History closely examines the relationship between typography, image, symbolism, and the built environment by exploring principal themes, major technological developments, important manufacturers, and pioneering designers over the last 100 years. It is a complete resource that belongs on every designer’s bookshelf.
Drip-dry Shirts
Every season, with alarming predictability, yet another graphic design book sets out to capture definitively the zeitgeist. The blurb always makes the same claim: that the book shows the work of the newest, youngest, most innovative designers. This restless search is self-perpetuating, can never be sated and ultimately intensifies nagging fears and insecurities among designers. An understanding of design history has the reverse effect. It explains who we are and sets contemporary work in an expansive and broad landscape, one that is more objective and less introspective. Without knowledge and experience we are lost, floating in a sea of unanswered questions. Drip-dry shirts seeks to answer some of the questions. Book jacket.
Art and Its Uses in Thomas Mann's Felix Krull
Thomas Mann's Felix Krull, written between 1910-13 and continued (though never completed) in 1951-54, uses contemporary accounts of these figures as a starting-point from which to explore the aesthetics of society. The early Krull marks an important stage in Mann's development in a number of respects.In writing it, Mann acquired a more flexible conception of identity and a new understanding of the relation between artist and public. Krull also signals a deeper engagement with Goethe and a shift in Mann's work towards a more open treatment of sexuality. The novel presents art as being central to the development of the individual and to social interaction. While Krull is nominally a confidence man, he is more of a performance artist, a purveyor of beauty who relies upon the complicity of his audience. The later Krull takes up where Mann left off and continues the justification of art as an essential human activity. This study draws upon unpublished material in order to provide a comprehensive reading of Felix Krull. It examines the novel within the context of Mann's work as a whole, and, in doing so, it seeks to demonstrate the remarkable continuity of Mann's creative achievement.
The Fleming Files
The Fleming Files: Allan Fleming's Life and Works delves into the wide-ranging body of work produced by Canadian graphic designer Allan Fleming. His designs, familiar not only to typophiles, have become part of the Canadian landscape, from the iconic CN Rail logo to stamps for Canada Post. This edition, which containes over 55 photographs, illustrates the personal and professional life of one of Canada's most influential graphic designers.
The Analyst
Vols. for 1876-June 1954 include Proceedings of the society.
A Duel of Nations
On July 19, 1870, Emperor Napoleon III of France declared war against the Prussia of King William I and Prime Minister Otto von Bismarck. This book depicts the world in which that war took place. In this study of the diplomatic history of the Franco-Prussian War, the author draws extensively on private and official records, journalistic accounts, cabinet minutes, and public statements by key players to produce a book that is unmatched in the range and clarity of its analysis, its characterizations, and its vivid language. -- Description from book cover.
Adrian Frutiger – Typefaces
The international creation of typefaces after 1950 was decisively influenced by the Swiss type designer Adrian Frutiger. His Univers typeface and the machine-readable font OCR-B, which was adopted as an ISO standard, are milestones, as is his type for the Paris airports, which set new standards for signage types and evolved into the Frutiger typeface. With his corporate types, he helped to define the public profiles of companies such as the Japanese Shiseido line of cosmetics. In all he created some fifty types, including Ondine, Méridien, Avenir, and Vectora. Based on conversations with Frutiger himself and on extensive research in France, England, Germany, and Switzerland, this publication provides a highly detailed and accurate account of the type designer’s artistic development. For the first time, all of his types – from the design phase to the marketing stage – are illustrated and analyzed with reference to the technology and related types. Hitherto unpublished types that were never realized and more than one hundred logos complete the picture.
