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The concept of 'scripture' as written religious text is re-examined, considering orally distributed sacred writings.
In this book, Hugh Nicholson argues that seemingly counterintuitive and abstract religious concepts, such as the Christian Trinity and the Buddhist concept of No-self, have developed out of social identity processes - more specifically, as a result of hegemonic struggles and intra- and inter-religious rivalry.
In this book, Barbara Holdrege has set a high standard for comparative work and has made an important contribution to both Hindu and Jewish studies. She has looked at Veda and Torah not simply as 'scripture, ' but as systems of meaning, symbol systems, each with its own affiliated meanings, each with its symbolic context, and each with its history of interpretation.
The book offers a number of new insights in the history of yoga powers in the South Asian religious traditions, analyzes the position of the powers in the salvific process and in conceptions of divinity, and explores the rational explanations of the powers provided by the traditions.
The experience of the divine in India has three components, sight, performance, and sound. One in a trilogy of books that include Diana Eck's Darsan: Seeing the Divine in India, and Susan L. Schwartz's Rasa: Performing the Divine in India, Mantra presents an introduction to the use of sound -- mantra -- in the practice of Indian religion. Mantra -- in the form of prayers, rituals, and chants -- permeate the practice of Indian religion in both temple and home settings. This book investigates the power of mantra to transform consciousness. It examines the use and theory of mantra under various religious schools, such as the Patanjali sutras and tantra, and includes references to Hindu, Sikh, Sufi, Islam, and Buddhist traditions. This edition adds new sections on the use of sacred sound in Hindu and Sikh North American diaspora communities and on the North American non-Indian practice of yoga and mantra.
Wilhelm Halbfass, philosopher and Indologist, is a committed participant in the dialogue between India and Europe, whose reflections on the Indian tradition and its Western perception are accompanied by reflection on and critical examination of the Western tradition. In this innovative combination of Indological research and philosophical-hermeneutical research in the history of ideas, he demonstrates a purpose more ambitious and a scope wider than Edward Said's who constructed the Western study of the so-called Orient as an attempt to deprive it of its identity and sovereignty, and who perceived the pursuit of Oriental Studies in Western universities to be an extension of a fundamentally po...