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Memoirs
The memoirs of Hortense (1646–1699) and of Marie (1639–1715) Mancini, nieces of the powerful Cardinal Mazarin and members of the court of Louis XIV, represent the earliest examples in France of memoirs published by women under their own names during their lifetimes. Both unhappily married—Marie had also fled the aftermath of her failed affair with the king—the sisters chose to leave their husbands for life on the road, a life quite rare for women of their day. Through their writings, the Mancinis sought to rehabilitate their reputations and reclaim the right to define their public images themselves, rather than leave the stories of their lives to the intrigues of the court—and to their disgruntled ex-husbands. First translated in 1676 and 1678 and credited largely to male redactors, the two memoirs reemerge here in an accessible English translation that chronicles the beginnings of women’s rights to personal independence within the confines of an otherwise circumscribed early modern aristocratic society.
Ennedi, Tales on stone. Rock art in the Ennedi massif
In the last few decades, a surprisingly large variety of subjects and styles of rock art have been brought to light in northern Chad by scholars and passionate travellers. In the Ennedi region, relatively recent painted scenes of daily life occur, but also earlier human figures and rare events such as a leopard hunt. However, what is really characteristic of this region are the galloping mounted horses and camels, painted in original styles. Interestingly, the DStretch® plugin to ImageJ© has recently made it possible to see that in some cases the visible paintings are superimposed on older, faint images, very different in style and barely discernible to the naked eye. In some cases, painti...
Representation of Women in Classical, Medieval and Renaissance Texts
This work explores the discussion of the idealization of women in medieval and Renaissance texts. This book has three main goals: to show textual connections between literary masterpieces (and thus, delineate a literary history from within the texts) in order to show how authors consciously or unconsciously interact with one another regardless of time and boundaries; to present biographical and autobiographical heroines, their work and legacy; and finally to grasp man's imaginary world of women.
Encyclopedia of Italian Literary Studies: A-J
Publisher description
Encyclopedia of Italian Literary Studies
The Encyclopedia of Italian Literary Studies is a two-volume reference book containing some 600 entries on all aspects of Italian literary culture. It includes analytical essays on authors and works, from the most important figures of Italian literature to little known authors and works that are influential to the field. The Encyclopedia is distinguished by substantial articles on critics, themes, genres, schools, historical surveys, and other topics related to the overall subject of Italian literary studies. The Encyclopedia also includes writers and subjects of contemporary interest, such as those relating to journalism, film, media, children's literature, food and vernacular literatures. Entries consist of an essay on the topic and a bibliographic portion listing works for further reading, and, in the case of entries on individuals, a brief biographical paragraph and list of works by the person. It will be useful to people without specialized knowledge of Italian literature as well as to scholars.
Zelotti's Epic Frescoes at Cataio
A prominent writer, a master painter, and a treasure of art that for centuries had been largely neglected are brought brilliantly to life in this first important study of one of the great legacies of Renaissance art. The immense castle at Cataio, about thirty-five miles from Venice, was builtbetween 1570 and 1573. An extraordinary series of frescoes, painted in 1573, covers the walls of six of its palatial halls. Programmed by Giuseppe Betussi, the forty frescoes depict momentous events in the history of the Obizzi family from 1004 to 1422. Executed by Giambattista Zelotti andassistants, the frescoes, plus ceiling decorations, are painted in a Mannerist, highly illusionist style with such sk...
Art Journal
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