You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
The Changing Face of Afro-Caribbean Cultural Identity: Negrismo and N gritude looks primarily at Negrismo and N gritude, two literary movements that appeared in the Francophone and Hispanic Caribbean as well as in Africa at the beginning of the twentieth century. It draws on speeches and manifestos, and use cultural studies to contextualize ideas. It poses the bases of both movements in the Caribbean and in Africa, and lays out the literary antecedents that influenced or shaped both movements. This book examines the search for cultural identity through the poetry of Nicolas Guill n, Manuel del Cabral, and Pal s Matos. This search is extended to the N gritude movement through the poems of L o...
The Caribbean Novel Since 1945 offers a comparative analysis of fiction from across the pan-Caribbean, exploring the relationship between literary form, cultural practice, and the nation-state. Engaging with the historical and political impact of capitalist imperialism, decolonization, class struggle, ethnic conflict, and gender relations, it considers the ways in which Caribbean authors have sought to rethink and re-narrate the traumatic past and often problematic 'postcolonial' present of the region's peoples. It pays particular attention to the role cultural practices such as stickfighting and Carnival, as well as religious rituals and beliefs like Vodou and Myal, have played in efforts t...
Dealing with the ongoing interaction of rich and diverse cultural traditions from Cuba and Jamaica to Guyana and Surinam, Nation Dance addresses some of the major contemporary issues in the study of Caribbean religion and identity. The book’s three sections move from a focus on spirituality and healing, to theology in social and political context, and on to questions of identity and diaspora. The book begins with the voices of female practitioners and then offers a broad, interdisciplinary examination of Caribbean religion and culture. Afro-Caribbean religions, Hinduism, Judaism, Islam, and Christianity are all addressed, with specific reflections on Santería, Palo Monte, Vodou, Winti, Ob...
Beginning with a high schooler mesmerized by a stay on the Navajo and Hopi reservations and running through the founding of a major university department and the aftermath of a decision, a decade later, to forego permanent academic affiliations, Richard Price’s story is told with honesty, humor, and insight into the inner workings of academic politics from the 1960s to the present. Inside/Outside relates his life as an anthropologist, historian, and Caribbeanist—from conducting predawn discussions with Maroon historians deep in the rainforest of Suriname to editing the world’s first book series on Atlantic history and culture; from weekly meetings with Claude Le ́vi-Strauss in Paris t...
There is in Haitian vodou mythology a belief in an aquatic world populated by mermaids and other lwa. In addition, Haitians claim to have been abducted by these spirits who dragged them underwater so that they could live alongside them. These stays last from several hours to several years. At the end of these experiences, the concerned return to the mainland and tell their loved ones their aquatic experience some of them are never the same since, there are some who return with (mystical) gifts that he had never had before.
The Encyclopedia of Caribbean Religions is the definitive reference for Caribbean religious phenomena from a Caribbean perspective. Generously illustrated, this landmark project combines the breadth of a comparative approach to religion with the depth of understanding of Caribbean spirituality as an ever-changing and varied historical phenomenon. Organized alphabetically, entries examine how Caribbean religious experiences have been shaped by and have responded to the processes of colonialism and the challenges of the postcolonial world. Systematically organized by theme and area, the encyclopedia considers religious traditions such as Vodou, Rastafari, Sunni Islam, Sanatan Dharma, Judaism, ...
Poète et penseur, grammairien et politicien, traducteur encore, Léopold Sédar Senghor fut homme pluriel, tout autant fondateur du mouvement de la négritude avec son camarade Césaire qu’homme de pouvoir et président du Sénégal. Écrivain qui utilisa la langue du colonisateur pour chanter le « Royaume d’enfance » africain, il conçoit l’identité et l’appartenance dans une visée universelle, avec cette espérance que les hommes pourront déplacer les clivages et les différences, renégocier avec les catégories de l’Autre et du Même, pour dessiner un autre avenir. Un être de paradoxes, à la frontière des civilisations et langues, souvent attaqué, mondialement reconnu...
The figure of the zombie that entered the popular imagination with the publication of William Seabrook's The Magic Island (1929)--during the American occupation of Haiti--still holds cultural currency around the world. This book calls for a rethinking of zombies in a sociopolitical context through the examination of several films, including White Zombie (1932), The Love Wanga (1935), I Walked with a Zombie (1943) and The Serpent and the Rainbow (1988). A 21st-century film from Haiti, Zombi candidat a la presidence ... ou les amours d'un zombi, is also examined. A reading of Heading South (2005), a film about the female tourist industry in the Caribbean, explores zombification as a consumptive process driven by capitalism.
Bringing a comparative perspective to the study of autobiography, Edgard Sankara considers a cross-section of postcolonial francophone writing from Africa and the Caribbean in order to examine and compare for the first time their transnational reception. Sankara not only compares the ways in which a wide selection of autobiographies were received locally (as well as in France) but also juxtaposes reception by the colonized and the colonizer to show how different meanings were assigned to the works after publication. Sankara’s geographical and cultural coverage of Africa and its diaspora is rich, with separate chapters devoted to the autobiographies of Hampâté Bâ, Valentin Mudimbé, Kess...
Translation, before 9/11, was deemed primarily an instrument of international relations, business, education, and culture. Today it seems, more than ever, a matter of war and peace. In The Translation Zone, Emily Apter argues that the field of translation studies, habitually confined to a framework of linguistic fidelity to an original, is ripe for expansion as the basis for a new comparative literature. Organized around a series of propositions that range from the idea that nothing is translatable to the idea that everything is translatable, The Translation Zone examines the vital role of translation studies in the "invention" of comparative literature as a discipline. Apter emphasizes "lan...