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German Foreign Policy, 1918-1945
Christoph Kimmich's German Foreign Policy, 1918-1945: A Guide to Current Research and Resources is a comprehensive guide to archival resources and published materials on the foreign policy of Weimar and Nazi Germany. It catalogues the archives, libraries, and research institutes, both public and private, that house important collections, especially in Germany but also elsewhere in Europe and in the United States, and describes their holdings, terms of access and use, and guides and inventories available. German Foreign Policy, 1918-1945 also includes a substantial annotated bibliography of published sources, ranging from documentary series to significant contemporary accounts, from memoirs t...
Women and Children as Victims and Offenders: Background, Prevention, Reintegration
This work compiles experiences and lessons learned in meeting the unique needs of women and children regarding crime prevention and criminal justice, in particular the treatment and social reintegration of offenders, and serves a as a cross-disciplinary work for academic and policy-making analyses and follow-up in developing and developed countries. Furthermore, it argues for a more humane and effective approach to countering delinquency and crime among future generations. In a world where development positively depends on the rule of law and the related investment security, two global trends may chart the course of development: urbanization and education. Urbanization will globalize the con...
The Lost German East
After 1945, Germany was inundated with ethnic German refugees expelled from Eastern Europe. Andrew Demshuk explores why they integrated into West German society.
Against All Odds
This study comprises an analysis of public spheres in National Socialist Germany. It investigates where and under what circumstances resistance to Hitler's regime was possible. The author focuses on the space of the crypto-public - defined as a politicized private sphere - as a potential realm for anti-state activism. Based on the activities of four organizations operating in Germany between 1933 and 1944 - the Jewish Cultural Association Berlin, the Kreisau Circle, the White Rose, and the Schulze-Boysen/Harnack Organization - she analyzes how this social locus functioned to foster resistance to National Socialism. She examines the artifacts of these groups - leaflets, pamphlets, politico-economic treatises, and theater performances - in order to establish models of crypto-public spaces and evaluate their possibilities and limitations as sites of resistance.
A Poisoned Chalice
A Poisoned Chalice tells the story of a long-forgotten criminal case: the poisoning of the communion wine in Zurich's main cathedral in 1776. The story is riveting and mysterious, full of bizarre twists and colorful characters--an anti-clerical gravedigger, a hard-drinking drifter, a defrocked minister--who come to life in a series of dramatic criminal trials. But it is also far more than just a good story. In the wider world of German-speaking Europe, writes Jeffrey Freedman, the affair became a cause célèbre, the object of a lively public debate that focused on an issue much on the minds of intellectuals in the age of Enlightenment: the problem of evil. Contemporaries were unable to ascr...
Liszt in Germany, 1840-1845
This work traces the composer's German tours from Leipzig and Dresden to major cities like Munich and Berlin, and to such out-of-the-way places as Rolandseck, Solingen, Liegnitz, Jena, and Ludwigsburg. Cited or paraphrased in the text are quotations from more than 2,000 sources, many of them new to Liszt scholarship. Separate chapters are devoted to Liszt's reception by German critics, and to the German compositions Liszt completed for voice, male chorus, and piano during these tours. The book concludes with a listing of all Liszt's German concerts and with translations of fifteen especially lengthy and interesting reviews.
The Shapes of Knowledge from the Renaissance to the Enlightenment
The original idea for a conference on the "shapes of knowledge" dates back over ten years to conversations with the late Charles Schmitt of the Warburg Institute. What happened to the classifications of the sciences between the time of the medieval Studium and that of the French Encyclopedie is a complex and highly abstract question; but posing it is an effective way of mapping and evaluating long term intellectual changes, especially those arising from the impact of humanist scholarship, the new science of the seventeenth century, and attempts to evaluate, to apply, to reconcile, and to institutionalize these rival and interacting traditions. Yet such patterns and transformations cannot be well understood from the heights of the general history of ideas. Within the ~eneral framework of the organization of knowledge the map must be filled in by particular explorations and soundings, and our project called for a conference that would combine some encyclopedic (as well as interdisciplinary and inter national) breadth with scholarly and technical depth.
German Lexicography in the European Context
A comprehensive documentation, based mainly on original research, of the sources of the German dictionaries and vocabularies published between 1600 and 1700. With its 1,150 entries, it also provides information on numerous multi-lingual dictionaries, covering some 30 other languages.
Fatherlands
An exploration of the nature of identity in nineteenth-century Germany.
German Music Criticism in the Late Eighteenth Century
Music aesthetics in late eighteenth-century Germany has always been problematic because there was no aesthetic theory to evaluate the enormous amount of high-quality instrumental music produced by composers like Haydn and Mozart. This book derives a practical aesthetic for German instrumental music during the late eighteenth century from a previously neglected source, reviews of printed instrumental works. At a time when the theory of mimesis dominated aesthetic thought, leaving sonatas and symphonies at the very bottom of the aesthetic hierarchy, a group of reviewers were quietly setting about the task of evaluating instrumental music on its own terms. The reviews document an intersection with trends in literature and philosophy, and reveal interest in criteria like genius, the expressive power of music, and the necessity of unity, several decades earlier than has previously been supposed.
