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A satire on bureaucracy and regimentation by one of Austria's leading writers. The nameless narrator takes the reader on a tour of a village whose inhabitants lead such regulated lives they resemble elements in a mathematical equation.
An astonishing and fantastical autobiographical novel--reminiscent of Italo Calvino and Laurence Sterne--"The System of Vienna" details Jonke's travels through Vienna by streetcar, reporting the bizarre and frustrating encounters he experiences as he progresses--and meanwhile moving not just from trolley-stop to trolley-stop, but through life as well, from innocence to disillusionment, birth to death. Jonke meets a paranoiac fish wholesaler who believes he is directing all of Austrian politics from his little stall, a stamp collector in such deadly earnest he hopes to be appointed to a professorship in philately, and a compulsive talker who has developed a rigorous economic philosophy out of the most common objects to be found in a Vienna neighborhood. Slowly increasing the comic and fantastic elements in his story until they overwhelm all pretense to autobiography--culminating in a strangely touching love scene between Jonke and a caryatid--"The System of Vienna" reminds us that the very act of describing a life turns it into fiction.
Told that he recently attempted suicide, a man awakens in an insane asylum with no memory of his actions, or even of his own name...
In response to the silence that continues to shroud Austria’s historical past, Austrian literature after 1950 wants to retrace an untold history that left its marks in mental schemata and cultural clichés. The question how literature can refer to the facts silenced by a political unconscious, the question of literary reference and reality description, lies at the core of Austrian literature since the 1950’s. This book traces the development of contemporary Austrian fiction from the 1950s to the 1990s, showing how the Vienna Group’s literary reductionism led to gesture of mere pointing in happening and performance. While strongly indebted to the experimental techniques of the Vienna Group, later Austrian authors such as Thomas Bernhard, Peter Handke, Peter Rosei, and Gerhard Roth employ literary forms and extra-literary media prone to the indexical in an attempt to cut through the net of linguistic and cultural clichés, alluding to the microfascisms latent in common percepts, and indexing a reality that eludes plain description.
"This bizzare, lyrical romp of a novel begins with two wealthy siblings preparing their estate for their annual garden party, to which they've invited "several artists and above all many of the people variously involved in the further development of intellectual life." The first sign that this year's party will be a little different is that the siblings have had paintings made of every inch of their garden, and are hanging the paintings in place of the garden itself. We soon learn that this is just the beginning: the siblings have decreed that this year's party will be an exact repetition of the party they held last year. Everyone will say and do exactly the same things, whether they'd like to or not."--BOOK JACKET.
Containing more than fifty essays by major literary scholars, International Postmodernism divides into four main sections. The volume starts off with a section of eight introductory studies dealing with the subject from different points of view followed by a section that deals with postmodernism in other arts than literature, while a third section discusses renovations of narrative genres and other strategies and devices in postmodernist writing. The final and fourth section deals with the reception and processing of postmodernism in different parts of the world. Three important aspects add to the special character of International Postmodernism: The consistent distinction between postmodern...
Over the course of the past twenty-five years, anthologies have shifted from playing a relatively minor role in academic culture to a position of dominance. The essays in this collection explore the significant intellectual, economic, political, pedagogical, and creative resonance of anthologies through all levels of academic life. They show that anthologies have consequences and are grounded in commitments. Striving to articulate these consequences and commitments is a priority in higher education today. Most of the contributors to this volume are editors of anthologies, and they draw on personal experiences to provide a rare glimpse into the economics and logic of anthology publication. Th...
Despite the overuse of the word in movies, political speeches, and news reports, "evil" is generally seen as either flagrant rhetoric or else an outdated concept: a medieval holdover with no bearing on our complex everyday reality. In "A Philosophy of Evil," however, acclaimed philosopher Lars Svendsen argues that evil remains a concrete moral problem: that we're all its victims, and all guilty of committing evil acts. "It's normal to be evil," he writes--the problem is, we have lost the vocabulary to talk about it. Taking up this problem--how do we speak about evil?--"A Philosophy of Evil" treats evil as an ordinary aspect of contemporary life, with implications that are moral, practical, and above all, political. Because, as Svendsen says, "Evil should neither be justified nor explained away--evil must be fought."
New stories from a master of American fiction.
Insightful essays on the striking resemblances between the Viennese literary/cultural scene in 1900 and 100 years later.This book of new essays by widely-published scholars from the United States, Great Britain, Germany, and Austria examines the artistic, social, political, and historical continuities and discontinuities in Viennese literature during the periods around 1900 and 2000. It takes its impetus from the idea that both turns of the century are turning points in the development of Austrian literature and history. The essays show that in both periods literature not only reflects societal conditions and political issues, but also serves to criticize them. Ernst Grabovszki''s introducti...