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A satire on bureaucracy and regimentation by one of Austria's leading writers. The nameless narrator takes the reader on a tour of a village whose inhabitants lead such regulated lives they resemble elements in a mathematical equation.
One of the loveliest riddles of Austrian literature is finally available in English translation: Gert Jonke's 1982 novel, Awakening to the Great Sleep War, is an expedition through a world in constant nervous motion, where reality is rapidly fraying—flags refuse to stick to their poles, lids sidle off of their pots, tram tracks shake their stops away like fleas, and books abandon libraries in droves. Our cicerone on this journey through the possible (and impossible) is an "acoustical decorator" by the name of Burgmüller—a poetical gentleman, the lover of three women, able to communicate with birds, and at least as philosophically minded as his author: "Everything has suddenly become so transparent that one can't see through anything anymore." This enormously comic—and equally melancholic—tale is perhaps Jonke's masterwork.
"This bizzare, lyrical romp of a novel begins with two wealthy siblings preparing their estate for their annual garden party, to which they've invited "several artists and above all many of the people variously involved in the further development of intellectual life." The first sign that this year's party will be a little different is that the siblings have had paintings made of every inch of their garden, and are hanging the paintings in place of the garden itself. We soon learn that this is just the beginning: the siblings have decreed that this year's party will be an exact repetition of the party they held last year. Everyone will say and do exactly the same things, whether they'd like to or not."--BOOK JACKET.
In response to the silence that continues to shroud Austria’s historical past, Austrian literature after 1950 wants to retrace an untold history that left its marks in mental schemata and cultural clichés. The question how literature can refer to the facts silenced by a political unconscious, the question of literary reference and reality description, lies at the core of Austrian literature since the 1950’s. This book traces the development of contemporary Austrian fiction from the 1950s to the 1990s, showing how the Vienna Group’s literary reductionism led to gesture of mere pointing in happening and performance. While strongly indebted to the experimental techniques of the Vienna Group, later Austrian authors such as Thomas Bernhard, Peter Handke, Peter Rosei, and Gerhard Roth employ literary forms and extra-literary media prone to the indexical in an attempt to cut through the net of linguistic and cultural clichés, alluding to the microfascisms latent in common percepts, and indexing a reality that eludes plain description.
Containing more than fifty essays by major literary scholars, International Postmodernism divides into four main sections. The volume starts off with a section of eight introductory studies dealing with the subject from different points of view followed by a section that deals with postmodernism in other arts than literature, while a third section discusses renovations of narrative genres and other strategies and devices in postmodernist writing. The final and fourth section deals with the reception and processing of postmodernism in different parts of the world. Three important aspects add to the special character of International Postmodernism: The consistent distinction between postmodern...
Cultural Identity and Postmodern Writing seeks to ascertain the relationship obtaining between the specific form postmodernism assumes in a given culture, and the national narrative in which that culture traditionally recognizes itself. Theo D’haen provides a general introduction to the issue of “cultural identity and postmodern writing.” Jos Joosten and Thomas Vaessens take a look at Dutch literature, and particular Dutch poetry, in relation to “postmodernism.” Robert Haak and Andrea Kunne do the same with regard to, respectively, German and Austrian literature, while Roel Daamen turns to Scottish literature. Patricia Krus discusses postmodernism in relation to Caribbean literature, and Kristian van Haesendonck and Nanne Timmer turn their attention to Puerto Rican and Cuban literature, while Adriana Churampi deals with Peruvian literature. Finally, Markha Valenta investigates the roots of the postmodernism debate in the United States. This volume is of interest to all students and scholars of modern and contemporary literature, and to anyone interested in issues of identity as linked to matters of culture.
The best of the first 5 years of BUTT: Adventures in 21st century gay subculture Since its first legendary issue in 2001, international quarterly magazine BUTT has been bringing together groups of young alternative gay guys all around the world, connecting fashion, sex, and art with a good sense of irony.
Visions and Visionaries is an apt title for this volume of essays on contemporary Austrian literature and film, because this collection offers insightful discussions of a gallery of significant authors and cultural figures. It also investigates important issues of style and genre, and portrays questions of Austrian identity and culture in rich contexts of recent literary and multi-media developments, cross-cultural interactions, and historical forces. This book encompasses relevant trends and notions from the past - especially the complexities of lingering effects of the Nazi era - along with issues of the future - in particular the present and anticipated interactions of culture and cyberspace. The essays are enhanced by poems by Evelyn Schlag and Gerhard Kofler.
"This bitterly funny memoir reads like an expose of the power structures in America's higher-education system: who's got it, how they're abusing it, what everyone else is willing to do to get it, and the social cost of doing educational business this way. We follow our protagonist, Kassie, as the academic world reshapes her life, her worse secrets and most humiliating mistakes revealing deep problems of race, class, gender, and sexuality. We watch as she alienates her family by hanging her "snobbish" nose over books; as she embarks on an adulterous affair with her instructor; as she comes to terms with her racist attitudes towards her own inner-city students; and as she abandons her principles for the sake of her career."--BOOK JACKET.