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Masters & Pupils
"[This book] traces the 'apostolic succession' from Perugino in the fifteenth century to Edouard Manet in the nineteenth, as each painter passed on his knowledge to the next generation." -- Jacket description.
Integrity in the Public and Private Domains
Integrity in the Private and Public Domains explores the issue of public and private integrity in politics, the media, health, science, fund-raising, the economy and the public sector. Over twenty essays by well-known figures such as Amelie Rorty, David Vines, the late Hugo Gryn, Alan Montefiore and Hilary Lawson present a compelling insight into debates over integrity today. A key chapter of the book concerns the highly publicised donation to Oxford University by Gert-Rudolf Flick, an issue which attracted wide media attention by raising questions of fund-raising and the holocaust.
Die Flicks
Mythos, Macht, Moneten Keine deutsche Unternehmerfamilie stand den Mächtigen so nahe wie die Flicks - ob nun ein Kaiser, ein Diktator oder Demokraten regierten. Thomas Ramge erzählt die dramatische Geschichte um Aktienpoker und Spendenskandal, Unternehmergeist und Familienzwist. Waffen, Macht, Skandale - diese Stichworte beherrschen die Geschichte der einstmals reichsten deutschen Familie. Der Pakt mit Kaiser und NS-Staat begann für den Stahlkonzern jeweils mit riesigen Gewinnen und endete in Schutt und Asche. Mit dem Wirtschaftswunder lief das Zusammenspiel mit der Macht erneut wie geschmiert. Doch die Flick-Affäre stürzte die Familie Hand in Hand mit der politischen Klasse der BRD in eine tiefe Krise, das grösste deutsche Privatunternehmen zerbrach im Familienstreit. Flick bleibt ein Reizwort: Wenn im kommenden Herbst die Flick-Collection in Berlin ihre Türen öffnet, wird die Vergangenheit der Familie erneut zum Thema.
The Queen Of Four Kingdoms
At the age of nineteen, Yolande of Aragon is sent away from her family, her friends, and everything she knows, to marry the young Duke of Anjou, King Charles VI's first cousin. Their marriage has been arranged to form an alliance between the previously warring kingdoms of Aragon and Anjou, and is politically fraught in a time of great danger and unrest. Yet the union between Yolande and Louis becomes not only a great love story, but also sets in motion events which will change the course of history. As Louis spends more and more time and money fighting in Italy for his claim to the Kingdom of Naples, Yolande is left alone with their six children to govern their lands. But through her charm, fierce intelligence and the clever use of her spies, she becomes the saviour of not just her kingdoms but also of France. Her Royal Highness Princess Michael of Kent unveils this seldom told story, enriched by her own insider's perspective of royal life. The Queen of Four Kingdoms is the epic true story of a rich and riveting period of French and English history, all witnessed by the captivating and complex heroine Yolande.
The Guilt of Nations
The author takes a sweeping look at the idea of restitution and its impact on the concept of human rights and the practice of politics. She confronts the difficulties of determining victims and assigning blame.
Someone Called Derrida
Someone called Jacques Derrida, someone called him on the phone, someone who was dead - this was August 22nd 1979. A mystery, he thought; but it is a mystery that began more than ten years earlier, in 1968, when Derrida, a philosopher, visits Oxford and there, before the very eyes of the Philosophy Sub-Faculty, he dies, several times.
Business Groups in the West
This volume aims to explore the evolution of large enterprises in today's developed economies in the West. It focuses on the economic institution of the business group and understanding the factors behind its rise, growth, resilience, and/or fall; its behavioural and organizational characteristics; and its contributions to economic development.
West German Industry and the Challenge of the Nazi Past
In this groundbreaking study, S. Jonathan Wiesen explores how West German business leaders remade and marketed their public image in the aftermath of World War II and the Holocaust. He challenges assumptions that West Germans - and industrialists in particular - were silent about the recent past during the years of denazification and reconstruction, revealing how German business leaders attempted to absolve themselves of responsibility for Nazi crimes while recasting themselves as socially and culturally engaged public figures. Through case studies of individual firms such as Siemens and Krupp, Wiesen depicts corporate publicity as a telling example of postwar selective memory.
The German Genius
From the end of the Baroque age and the death of Bach in 1750 to the rise of Hitler in 1933, Germany was transformed from a poor relation among western nations into a dominant intellectual and cultural force more influential than France, Britain, Italy, Holland, and the United States. In the early decades of the 20th century, German artists, writers, philosophers, scientists, and engineers were leading their freshly-unified country to new and undreamed of heights, and by 1933, they had won more Nobel prizes than anyone else and more than the British and Americans combined. But this genius was cut down in its prime with the rise and subsequent fall of Adolf Hitler and his fascist Third Reich-...
Hafsids and Habsburgs in the Early Modern Mediterranean
This book explores an anonymous sixteenth-century portrait of Muley al-Hassan, the Hafsid king of Tunis (ca. 1528–1550), that bears witness to relations between North Africa, the Habsburgs, and the Ottomans. While Muley al-Hassan appears frequently in the vast literature on Charles V Habsburg, he is overshadowed by the emperor. Here he emerges as a protagonist, a figure whose shifting reputation can be traced well into the seventeenth century. Images of the King of Tunis circulated in broadsheets, ephemeral images made for triumphal entries, manuscripts, tapestry designs, engravings, and books. The ceaseless production of Tunisian imagery allowed Europeans to face their North African counterparts through scenes of battle but also through imaginary encounters and festive cross-dressing. This book shows how portraits of Hafsid rulers challenge assumptions about the absolute divide between Christian and Muslim, sovereign and subject, the familiar and the foreign, and they put a face on the entangled histories of the early modern Mediterranean.
