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"Blind seer, articulate dead, and mythic transsexual, the figure of Tiresias has always represented a liminal identity and forms of knowledge associated with the crossing of epistemological and ontological boundaries. In twentieth-century literature, the boundaries crossed andembodied by Tiresias are primarily sexual, and the liminal and usually prophetic knowledge associated with Tiresias is based in sexual difference and sexual pleasure. Indeed, in literature of the twentieth century, Tiresias has come to function as a cultural shorthand for queer sexualities." "This book argues for the emergence of a Tiresian poetics at the end of the nineteenth century. As Victorian andmodernist writers reimagined Ovid's tale of sex change and sexual judgment, they also created a poetics that grounded artistic or perfonnative power in figures of sexual difference - most often a feminized, often homosexual malebody, which this study links to the developing discourses of homosexuality and sexual identity."--BOOK JACKET.
All of the poets interviewed in this collection are from Northern Ireland, all were born after 1920, and each has published at least one volume of poetry. Arranged chronologically by each poet's date of birth, this collection deals with an impressive body of work. The poets include Seamus Heaney, Paul Muldoon, Michael Longley, John Montague, Derek Mahon, Ciaran Carson, as well as less-known voices, including Gerald Dawe, Roy McFadden, and Conor O'Callaghan. The interviews explore the poet's work and development, the social/historical context, and the impact of assimilated influences. If they explore a poetry often rooted in "the North," they also suggest the individuality and diversity of this poetry, of work whose imaginative range is not circumscribed by either literal borders or critically convenient categories. The other poets included are: James Simmons, Tom Paulin, Frank Orsmby, Medbh McGuckian, Robert Greacen, Cathal P Searcaigh, Colette Bryce, Moyra Donaldson, Jean Bleakney, Martin Mooney, Padraic Fiacc, and Cherry Smyth.
Part of a series providing an authoritative history of the book in Ireland, this volume comprehensively outlines the history of 20th-century Irish book culture. This book embraces all the written and printed traditions and heritages of Ireland and places them in the global context of a worldwide interest in book histories.
Deirdre's family tree was never something she thought much about. For 24 years it's just been her and her mother. But when she accidentally gets pregnant her mother insists they go back to their family roots. Now Deirdre is about to discover just what kind of sinister soil her family has sprouted from.
A showcase of poetry from some of the darkest and most lyrical voices of women in horror. A follow-up to the award-winning poetry showcase Under Her Skin, UNDER HER EYE features the best in never-before-published dark verse and lyrical prose from the voices of Women in Horror, themed on domestic horror and the terror women too often experience in their own homes. Edited by Lindy Ryan and Lee Murray, UNDER HER EYE celebrates women in horror from cover to cover. In addition to poems contributed by over one hundred poets worldwide, the collection features poems from Stephanie M. Wytovich, Jessica McHugh, and Marge Simon, with cover art by noted horror artist Lynne Hansen and an introduction by Bram Stoker Award®-winning poet Sara Tantlinger. This showcase is produced in partnership with The Pixel Project, a global non-profit organization focused on ending violence against women globally.
For more than four decades, Ellen Datlow has been at the center of horror. Bringing you the most frightening and terrifying stories, Datlow always has her finger on the pulse of what horror readers crave. Now, with the sixteenth volume of the series, Datlow is back again to bring you the stories that will keep you up at night. Encompassed in the pages of The Best Horror of the Year have been such illustrious writers as: Neil Gaiman, Stephen King, Stephen Graham Jones, Joyce Carol Oates, Laird Barron, Mira Grant, and many others.
Now available in paperback, the editors of this book are internationally known in the field of literary translation and translation studies - particularly as promoters of the view that translation as a creative practice rather than a mechanical process.
In this dimly lit world, among the scattered voices and meaningless chatter, Renata Pavrey’s whimsical collection invites us to glide through twilight in a park, to return from the letterbox with a much-awaited letter, to dance with fireflies, to savor the tang of orange zest, or run our fingers lovingly across the spines in a bookcase. Eunoia is a state of positivity which reflects a well balanced mind exhibiting goodwill and kindness. Engage, uplift, nurture, outshine, ignite, and astound – Eunoia is a celebration of the things we do. Pavrey offers a quotidian that is both familiar and surprising through verses that cover a range of topics from pets to plants, sports and food, and aim to bring attention to the things that light up our days, however trivial they might seem to others. The Japanese senryu and French villanelle, blank verse and acrostics, nestled alongside rhymed poetry, cinquain, limerick, ode, soliloquy, epistolary, tanka, and vers libre. Everyday topics addressed through classical verse.
A showcase of poetry from some of the darkest and most lyrical voices of women in horror. Under Her Skin features the best in never-before-published dark verse and lyrical prose from the voices of Women in Horror. Centered on the innate relationship between body horror and the female experience, this collection features work from Bram-Stoker Award&® winning and nominated authors, as well as dozens of poems from women (cis and trans) and non-binary femmes. Edited by Lindy Ryan and Toni Miller, Under Her Skin celebrates women in horror from cover to cover. In addition to poems contributed by seventy poets, the collection also features a foreword penned by Science Fiction Poetry Association (S...