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Giacomo Balla (1871-1958) is one of the undisputed masters of modern Italian art. An important exponent of the Divisionist style, he went on to become one of the five signatories of Futurism?s initial painting manifestos of 1910 and was a pioneering figure of European Modernism, being one of the first artists to aim at the transformation of everyday life in accordance with avant-garde aesthetic.0This volume of important and rarely-seen from the Fondazione Biagiotti Cigna? one of the largest collections of Balla?s works anywhere in the world? has been curated by Fabio Benzi, a leading authority on the artist. It spans Balla?s entire career, comprising both figurative and abstract paintings and drawings, as well as fashion-related designs and examples of applied art.00Exhibition: Estorick collection, London, UK (05.04. - 25.06.2017).
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The life and works of Giacomo Balla, from his apprenticeship in Turin to the great futurist moment. In the beginning, Giacomo Balla learned his trade in Turin and entered the cruel, painful reality of society's underclass with a penetrating, human eye. Parallel to the themes of suffering and alienation, the artist developed an original style with a wealth of glowing streaks, bold contrasts of light and dark, and daring perspective that constituted a unique and extraordinary model for the futurist generation. Later, Balla embraced the poetics of futurism and addressed the themes of modernity in the chromatic synthesis of individual elements of light visible in the Iridescent Interpenetrations. This was followed by an exploration of the new dynamic reality with his Lines of Speed. Balla discovered new categories of representation, and his vision plumbed the greatest depths in order to transcend the limits of the frame in an ever-greater response to life, the ultimate signal of a universal force whose power reverberates in the "voices of nature."
February 21-September 1, 2014 The first comprehensive overview of Italian Futurism to be presented in the United States, this multidisciplinary exhibition examines the historical sweep of the movement from its inception with F.T. Marinetti's Futurist manifesto in 1909 through its demise at the end of World War II. Presenting over 300 works executed between 1909 and 1944, the chronological exhibition encompasses not only painting and sculpture, but also architecture, design, ceramics, fashion, film, photography, advertising, free-form poetry, publications, music, theater, and performance. To convey the myriad artistic languages employed by the Futurists as they evolved over a 35-year period, the exhibition integrates multiple disciplines in each section. Italian Futurism is organized by Vivien Greene, Curator, 19th- and Early 20th-Century Art, Solomon R. Guggenheim Museum. In addition, a distinguished international advisory committee has been assembled to provide expertise and guidance.
A tour through the dazzling Futurist Gesamtkunstwerk that was Giacomo Balla's home and creative laboratory Recently opened to the public for the first time, the home of the Futurist artist Giacomo Balla (1871-1958) is depicted and inventoried in this extraordinary book. The apartment in Rome in which Balla lived with his family for over 30 years was covered with lively murals, painted furniture, decorated utensils and clothes, as well as preparatory drawings, stage designs, toys and other works by the artist, together with paintings by his two daughters Luce and Elica. The numerous paintings by Balla kept in the apartment range from his early figurative period to the Futurist aesthetics of the 1910s and '20s and a return to representation in the latter part of his life. Together they create a kaleidoscopic example of total design, reflecting the indissoluble link between art and life that lay at the root of Futurist thinking.