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Giving Up the Gun
Lord Hideyoshi, the regent of Japan at the time, took the first step toward the control of firearms. It was a very small step, and it was not taken simply to protect feudal lords from being shot at by peasants but to get all weapons out of the hands of civilians. He said nothing about arms control. Instead, he announced that he was going to build a statue of Buddha that would make all existing statues look like midgets. It would be so enormous (the figure was about twice the scale of the Statue of Liberty), that many tons of iron would be needed just for the braces and bolts. Still more was required to erect the accompanying temple, which was to cover a piece of ground something over an eighth of a mile square. All farmers, ji-samurai, and monks were invited to contribute their swords and guns to the cause. They were, in fact, required to. -- from publisher description.
Firearms
With graphic prints, photographs, a timeline, and a glossary, this engaging and insightful technography sheds light on one of the most important inventions in the history of the human race.
Against the Avant-garde
"This book casts the poet and filmmaker Pier Paolo Pasolini in a fresh light: his life and work in relation to the visual and performance arts of his time in both Europe and the US. Lavishly illustrated with both documentary and fine art images, it shows how essentially conservative Pasolini was politically and aesthetically despite his reputation as an avant-garde writer and filmmaker. But it also shows how truly advanced Pasolini was when it comes to interdisciplinary art, making him enormously relevant today"--
The Art of War in Italy 1494-1529
This 1921 book examines changes in warfare between the medieval period and the renaissance and relates them to intellectual developments.
Memoirs of the Dukes of Urbino: Illustrating the Arms, Arts, and Literature of Italy from 1440 To 1630 (Complete)
James Dennistoun of Dennistoun, the author of this work, was born on the 17th March, 1803, in Dumbartonshire, and spent the greater part of his youth with his grandfather, George Oswald of Scotston, to whom he owed, as he said, his first impulse towards letters. About the year 1814 he and his brother George were placed under the care of a tutor, the Rev. Alexander Lochore, later minister of Drymen parish. He then proceeded to Glasgow College, and later read for the Bar, though with no intention of practising. He passed advocate in 1824, but seems by then and for long after to have been gathering information regarding the old families of Dumbartonshire, which he placed at the disposal of Mr. ...
