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After more than three centuries of silence, the voice of Francesco Cavalli is being heard loud and clear on the operatic stages of the world. The coincidence of productions at La Scala (Milan) and Covent Garden (London) in the same month (September 2008) of two different operas signals a new stage in the recovery of these extraordinary works, confined until now to special venues committed to 'early music'-opera festivals, conservatory, and university productions. The works of the composer who is credited with having invented the genre of opera as we know it are finally enjoying a renaissance. A new edition of Cavalli's twenty-eight operas is in preparation, and the composer and his works are...
This book presents the results of an extensive study of the digital divide, the growth of the internet, online education, health informatics, the net and the economy, regulation of the internet and much more. It is well researched, informative and authoritative. Individuals, organisations and governments with a specialist interest in the transition to an information society and/or knowledge economy will find this book timely. Published with SFI Publishing.
Questions of survival and loss bedevil the study of early printed books. Many early publications are not particularly rare, but many have disappeared altogether. Here leading specialists in the field explore different strategies for recovering this lost world of print.
This book examines the ever-increasing impact of technology on our lives and explores a range of legal and constitutional questions that this raises. It considers the extent to which concepts such as 'cyberspace' and 'digital rights' advance or undermine our understanding of this development and proposes a number of novel approaches to the effective protection of our rights in this rapidly evolving environment. Finally, it shows how the abuse of the adjective digital has demoted legal rights into subjective and individual claims. The work will be of particular interest to scholars of privacy, artificial intelligence and free speech, as well as policymakers and the general reader.
In the great days of Italian fortification literature – the century from Valle's first Venetian edition in 1524 to the appearance of Tensini in 1624 – Venice accounted for roughly as many titles as the rest of Europe together. Books on fortification were a natural for the enterprising printer-publishers of this city-state, free from the constraints of small-minded princes and their paranoid insistence on "state secrets". This annotated catalogue describes 350 books, published until the time when Venice ceased to be an independent state. It provides massive documentation taking into account the many "ghosts" created by misprints or over-zealous bibliographers and gives full collations, extensive annotations and locations of copies of all entries. An index of printers and a "bibliographie raisonnée" of the sources used, appear at the end. The thirty-five illustrations are chosen for their relevance to the subject and range from early bastion traces to emblematic portraits.
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