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"Marko Marttila's study is a new contribution to the old question, how the 'I' of the Psalms should be understood. It seems that people who were responsible for editing the Hebrew Psalter more than two thousand years ago identified the suffering anonymous 'I' with the suffering people of Israel. Thus the editors in their own time attempted to make earlier texts more actual."--BOOK JACKET.
This book puts forward an interpretation of the Canticle which is alert to the literal sense of the poem. The author thus distances himself both from the allegorical interpretation and from an interpretation that is purely secular. According to the author, the Song offers a theological vision of human love. Barbiero sees the Song as composed in the third century BC, in the Hellenistic epoch, but also as hugely dependent on the love poetry of the Ancient Near East, particularly that of Egypt. Above all, however, the Song was composed in dialogue with the other books of the Old Testament, especially in contrast with the negative view of sexuality which they represent. The study pays particular attention to the structure of the poem and of the individual cantos: for Barbiero, the Song is a closely unitary work and is only to be understood as a whole.
Good poetry is like a good painting: the more you linger over it, the more it reveals. It is a deep well that never runs dry. And that is why the Psalter, like a good painting, keeps giving. In the last four decades, Psalms scholarship has found remarkable fruitfulness in reading the Psalter as a book—that is, in reading the Psalms as a unified composition with a metanarrative across its 150 poems. Pivotal questions associated with this approach really boil down to two questions—how and why? How are individual psalms sequenced, if at all, and what is the design logic behind that macrostructure? This volume seeks to answer those questions. In essence, the Psalter unfurls the story of the Davidic covenant. While interest in the editing of the Psalter remains high in recent Psalms scholarship, this interest has not led to clear consensus. The specific and timely contribution of this volume is twofold. First, it consolidates the results of studies on groups of psalms. Second, it integrates poetic and thematic approaches that are typically separated in Psalms scholarship. Readers will find results of this study surprising and their implications sobering.
The book puts forward a literal interpretation of the Song of Songs which the author sees as advancing a theology of human love. From the literary angle, particular importance is awarded to the structure of the poem, highlighting its strongly unitary character.
This book examines the portrayal of Israel as a royal-priestly nation within Exodus and against the background of biblical and ancient Near Eastern thought. Central to the work is a literary study of Exodus 19:4-6 and a demonstration of the pivotal role these verses and their main image have within Exodus. This elective and honorific designation of Yahweh's cherished people has a particular focus on the privilege of access to him in his heavenly temple. The paradigm of the royal grant of privileged status has profound implications for our understanding of the Sinai covenant.
"Recent research on the Book of Jeremiah reveals it as a meta-text. Georg Fischer shows that in dealing with earlier writings and using the example of the fall of Jerusalem in 587 BC at the end of the Persian period, the book offers a synthesis and its own view of biblical faith in Jhwh." --back cover
A “Community of Peoples” draws together a diverse community of scholars to honor the career of Daniel E. Fleming. Through a diversity of methods and disciplines, each contributor attempts to touch a sliver of ancient Middle Eastern history.
The Psalms as Christian Scripture. Reading the Psalms Theologically presents rich biblical-theological studies on the Psalter. Reading the Psalter as a Unified Book: Recent Trends (David M. Howard and Michael K. Snearly) The Macrostructural Design and Logic of the Psalter: An Unfurling of the Davidic Covenant (Peter C. W. Ho) David's Biblical Theology and Typology in the Psalms: Authorial Intent and Patterns of the Seed of Promise (James M. Hamilton) A Story in the Psalms? Narrative Structure at the "Seams" of the Psalter's Five Books (David "Gunner" Gunderson) Does the Book of Psalms Present a Divine Messiah? (Seth D. Postell) The Suffering Servant in Book V of the Psalter (Jill Firth) Exca...
Formerly known by its subtitle “Internationale Zeitschriftenschau für Bibelwissenschaft und Grenzgebiete”, the International Review of Biblical Studies has served the scholarly community ever since its inception in the early 1950’s. Each annual volume includes approximately 2,000 abstracts and summaries of articles and books that deal with the Bible and related literature, including the Dead Sea Scrolls, Pseudepigrapha, Non-canonical gospels, and ancient Near Eastern writings. The abstracts – which may be in English, German, or French - are arranged thematically under headings such as e.g. “Genesis”, “Matthew”, “Greek language”, “text and textual criticism”, “exegetical methods and approaches”, “biblical theology”, “social and religious institutions”, “biblical personalities”, “history of Israel and early Judaism”, and so on. The articles and books that are abstracted and reviewed are collected annually by an international team of collaborators from over 300 of the most important periodicals and book series in the fields covered.
One of the major shifts in OT studies over the past half of a century has been the move away from studies dominated by diachronic matters toward more text-immanent, synchronic approaches. In Psalter studies, one can see such a shift on two levels. First, on the level of the individual psalm, there has been a general trend to focus on the literary and linguistic features as the proper means for discerning the meaning of the poem. Second, on the level of the Psalter as a whole, scholars have devoted significant attention to its canonical shape and the role of adjacent psalms in the interpretation of each individual psalm. In Remember, O Yahweh, Todd approaches Psalms 135--137 on both of these levels. After a detailed poetic analysis of each psalm, he proposes that Psalms 135--137 serve as a bridge between the Songs of Ascents (Pss 120--134) and the Last Davidic Psalter (Pss 138--145). As such, this group highlights Yahweh's past acts of deliverance as the basis for the post-exilic community's prayer for Yahweh to remember his people's lowly condition.