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Dzhangal
Photographs of discarded items present an alternative portrait of residents of The Jungle refugee camp in Calais, France
Through Positive Eyes
Through Positive Eyes features photographs and stories from ten cities around the world by 130 HIV-positive "artivists," many using cameras for the first time. Originated as part of the global MAKE ART/STOP AIDS initiative, this project paints a vivid picture of the AIDS epidemic--after its initial outbreak, and as treatment becomes more widely available. It testifies to the resilient spirit of those facing the challenges of HIV.
Running, Falling, Flying, Floating, Crawling
Running, Falling, Flying, Floating, Crawling is a loose compendium of photographs and texts that picture, examine, explore, and / or suggest the human body in states of abandon, helplessness, terror, subjugation, serenity, and transcendence. Artists include Andre Kertesz, Yves Klein, Laurie Simmons, Maya Deren, Gideon Mendel, Bas Jan Ader, Chris Burden, Tabitha Soren, Nan Goldin, Rania Matar, John Divola, Harry Callahan, Sarah Charlesworth, and Francesca Woodman. Writers include David Campany, Lynne Tillman, Jennifer Blessing, Diane Seuss, Susan Bright, Gilda Williams, Marvin Heiferman, Maud Casey, and Carol Mavor.
A Broken Landscape
A photographic testimony of courage in the face of AIDS
A Decade of Democracy
A fitting way of reflecting on the changes of the last decade and assessing the extent to which transformation has had an impact on South Africa
A Different Kind of Order
Every three years the curators of New York's International Center of Photography gather the most interesting contemporary photography and video from around the world to explore a specific issue, trend, or movement. Past Triennials have focused on themes of identity, environmentalism and fashion. The 2013 Triennial, A Different Kind of Order, presents a variety of artworks that illuminate the new visual and social territory in which photography operates today. Created by 27 international artists, these works--photographs, films, videos, installations, performances and other media--reflect the growing influence of new paradigms associated with digital image making and networking. Approximately...
Sizwe's Test
At the age of twenty-nine, Sizwe Magadla is among the most handsome, well-educated, and richest of the men in his poverty-stricken village. Dr. Hermann Reuter, a son of old South West African stock, wants to show the world that if you provide decent treatment, people will come and get it, no matter their circumstances. Sizwe and Hermann live at the epicenter of the greatest plague of our times, the African AIDS epidemic. In South Africa alone, nearly 6 million people in a population of 46 million are HIV-positive. Already, Sizwe has watched several neighbors grow ill and die, yet he himself has pushed AIDS to the margins of his life and associates it obliquely with other people's envy, with ...
Photographs and the Practice of History
"What is it to practice history in an age in which photographs exist? What is the impact of photographs on the core historiographical practices which define the discipline and shape its enquiry and methods? In Photographs and the Practice of History, Elizabeth Edwards proposes a new philosophy of history which explores these questions and redefines the practices at the heart of this discipline. Structured around key concepts in historical methodology which are recognisable to all undergraduates, the book shows that from the mid-19th century onward, photographs have influenced historical enquiry. Exposure to these mass-distributed cultural artefacts is enough to change our historical frameworks even when research is textually-based. Intended as a companion to 'how to' guides on visual research, Photographs and the Practice of History builds on existing literature by leading scholars and gives readers a foundation on which to build their own historical practices"--
Impossible Mourning
Impossible Mourning argues that while the HIV/AIDS epidemic has figured largely in public discourse in South Africa over the last ten years, particularly in debates about governance and constitutional rights post-apartheid, the experiences of people living with HIV for the most part remain invisible and the multiple losses due to AIDS have gone publicly unmourned. This profound fact is at the center of this book which explores the significance of the disavowal of AIDS-death in relation to violence, death, and mourning under apartheid. Impossible Mourning shows how in spite of the magnitude of the epidemic and as a result of the stigma and discrimination that has largely characterized both na...
